A Quote by Joe Klein

I'm in favour of politicians having extra-marital relationships. Oh yeah. It makes them more understanding of the flaws that the rest of us have. — © Joe Klein
I'm in favour of politicians having extra-marital relationships. Oh yeah. It makes them more understanding of the flaws that the rest of us have.
Extra-marital sex is as overrated as pre-marital sex. And marital sex, come to think of it.
Police have both extra constraints and extra permissions - on the one hand, they can't dodge involvement in social disorder as the rest of us can and they may be required to conduct themselves privately in a way that does not undermine their public authority; on the other hand, they have permission to engage in deceptions, invasions of privacy and uses of force that are forbidden to the rest of us. But this does not put them beyond common morality.
Flaws make us all human, and you're rooting for characters because of those flaws. It's ageless if you're interested in relationships and the way people can or can't relate to each other.
I believe that attributing flaws to medical characters makes them not just doctors but something more. It makes them people.
Sometimes you just work, you work, you work, and you have no life, no boyfriend, you have no more friends, no more nothing, you just make movies, and you're tired, and you don't know why. Then everybody says, 'Oh you are so lucky, you are working!' And you're like, 'Oh yeah, oh yeah, it's so great!'
It is therefore vital for you to understand that being single-" separate, unique, and whole"- is most essential to, and the foundation of, not only marital relationships but all relationships.
No one finds it interesting to look at the person who is perfect all the time. They have no flaws. Flaws are what open us up to another person to show that we are not having a veneer, a fake sort of exterior.
Our flaws are what makes us human. If we can accept them as part of who we are, they really don't even have to be an issue.
The primary function of poetry, as of all the arts, is to make us more aware of ourselves and the world around us. I do not know if such increased awareness makes us more moral or more efficient. I hope not. I think it makes us more human, and I am quite certain it makes us more difficult to deceive.
It's kind of impossible not to, especially in such a media-driven world.... But, yeah, I'll go home and one of my friends will say, "Oh my gosh, those shoes are so cute." And I'll say, "Oh, they're Christian Louboutins." And they're like, "What?" So yeah, I've definitely learned more names.
What really gets me is this - it's very ironic that those who are most critical of extra tax are those who are most vociferous in demanding extra expenditure. What gets me even more is that having demanded that extra expenditure they are not prepared to face the consequences of their own action and stand by the necessity to get the tax to pay for it. I wish some of them had a bit more guts and courage than they have.
My sheets had never been so clean as they had in the past few months. I hardly got them on again before something else happened and I was feverishly ripping them off and stuffing them in the wash with double amounts of soap and all the "extra" buttons pushed: extra wash, extra rinse, extra water, extra spin, extra protection against things that go bump in the night.
[Dario Argento] speaks very broken English - he's Italian, so I'm going to do a very bad Italian impersonation - but he asked me my name, and I told him, and he goes, "Walk across the room." He looked at me, and he said, "Do you want to be in my movie [Two Evil Eyes]?" I was, like, "Yeah! Yeah, I do!"He goes, "Okay! You play Betty!" And I was, like, "Oh, I'm playing an extra named Betty! Great!" So we walked out, thinking that I was playing an extra named Betty, no lines, just background.
We think you should show your flaws to fans because that's what makes them love you more.
I can't remember who it was - maybe Brian Eno - but some important musician guy said he recorded ambient noise from a city street and after he listened to these field recordings for the millionth time, it was like, "Oh yeah, at 1:23, that's where the car horn comes in." So when you're doing stuff like this, and you've been working on it for a year, you're like, "Oh yeah man, that makes perfect sense!" And then you forget when you give it to people, they're bewildered.
Usually, people that I like to work with are people that I believe in more than they believe in themselves, and they just need that extra boost and the person to give them a little more time and understanding and introspection into their own character to find that box office that lives inside of them.
This site uses cookies to ensure you get the best experience. More info...
Got it!