A Quote by Joe Lando
All actors almost always try to steal some of their wardrobe.
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When becoming a character, you have to steal. Steal whatever you see. You can even steal from other actors' characterizations; but if you do, only steal from the best.
Some actors specialize in shooting weapons and punching people. Some have the market on playing buffoons cornered, others specialize in roles that require heavy makeup or outrageous wardrobe. Some trade exclusively in a post-ironic blase attitude.
I know a lot of actors talk about the importance of wardrobe, and it always seems like it's kind of a cop-out, maybe, because it seems like a minor detail to some people. But I think it's hugely important.
There are a lot of things a person with two hands couldn't steal," Eddis said. "So?" "If it's impossible to steal them with two hands, it's no more impossible to steal them with one. Steal peace, Eugenides. Steal me some time.
Usually I approach to acting completely blindfolded. I read the script, I connect to the character, and then I try not to think about it too much until I'm there and I'm in wardrobe and I'm with the other actors and we're going through the scene once.
I go into the crowd almost everyday and I really really really despise it when people try to steal my shoes. That is a thing where they're proabably like 'oh, you can just go out and buy a new pair'. Like yeah, but those are my shoes. How would you feel if I tried to steal your shoes?
You're always going to have ups and downs - if you look at the careers of a whole bunch of people I respect, some of them have good movies, some of them have bad movies. I remember Andrew Garfield said that the only power we really have as actors - or one of the main powers we have as actors - is our choices. We can make interesting choices, but as soon as you've made that choice, so much else is in play: the director, the script can change, the other actors. All you can do is try to make interesting choices and, once you're in it, just do the best you can.
One percent of people will always be honest and never steal," the locksmith said. "Another one percent will always be dishonest and always try to pick your lock and steal your television. And the rest will be honest as long as the conditions are right - but if they are tempted enough, they'll be dishonest too. Locks won't protect you from the thieves, who can get in your house if they really want to. They will only protect you from the mostly honest people who might be tempted to try your door if it had no lock".
When I made 'Tales of Tacobella,' and I made 'Sugar Trap,' it was like people literally trying to say that like, either that they made it, or that they helped make it, and then they continued to try to steal the flow, try to steal the aesthetic of everything I tried to build.
It was great working with Salman. He doesn't come across as the 'bad boy of Bollywood.' He is a very generous actor. There are actors, who don't let you have your space on screen and try to steal it. But Salman is not like that.
If the opportunity is there to steal a base, I try to steal it.
Some actors like encouragement. Some actors prefer to have pressure. And sometimes, for some actors, its better to give your comment by silence, because they are so skillful, so gifted, that they understand without talking too much.
I steal props from 'SNL' a great deal. Almost every sketch I'm in, I try to grab something from it, so I have a storage space full of props.
I steal props from SNL a great deal. Almost every sketch Im in, I try to grab something from it, so I have a storage space full of props.
I'm so lucky to play Sugar because she does get the best wardrobe. Sugar is always in something fluffy, feathery, animal print-y, sparkly she doesn't ever stop with the amazing wardrobe. There's a neon number I thought, when I saw the wardrobe in my trailer, that everyone was going to be wearing neon, but no - just Sugar. And it was fantastic it was so fun, I love neon!
I think it's important to create an atmosphere where actors feel like they can try things out. It doesn't mean that I'll take every suggestion, but I want there to be some room for actors to grow.
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