A Quote by Joe Locke
Jonathan Kreisberg is a great musician whose playing and writing always tell a story. His formidable technique and intellect never get in the way, but only serve the agenda of the heart.
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I know when someone that's not you tries to tell your story, especially when you don't look like the person whose story you're trying to tell, you're going to screw it up. And the only way to get it right is to have them be as involved as possible.
You would never hear any song played twice in the same way. The words were retained, but within a certain frame there was great latitude, and the musician could improvise to his heart's content; and the more the variations and combinations, the greater the musician.
It's not a filmmaker's job to explain his technique but to tell his story the best way he can.
It's not a film-maker's job to explain his technique, but to tell his story the best way he can.
That certain feeling happened to me in a big way quite often with the first King Crimson. Amazing things would happen-I mean, telepathy, qualities of energy, things that I had never experienced before with music. You can't tell whether the music is playing the musician or the musician is playing the music.
I think that there's only one person that defines the role of vice president of the United States. And, you know, we come in to [Donald Trump's] administration with a servant's heart, really prepared to serve and to support the president's agenda and his objectives in every way that he believes is appropriate.
I've heard of people stopping their cars, having car wrecks, all kinds of things. But most of the banjo players I know had that moment when they heard Earl Scruggs. So, for me, it transcends the technique. It's the musician in him and his personality, his musical personality, such great taste, such great technique, very, very creative.
The great God endows His children variously. To some He gives intellect...and they
move the earth. To some He allots heart...and the beating pulse of humanity is theirs.
But to some He gives only a soul, without intelligence...and these, who never grow up,
but remain always His children, are God's fools, kindly, elemental, simple, as if from
His palette the Artist of all has taken one color instead of many.
In the 'Buffy' room, it was never about a plot twist, ever. It was always about, 'Tell the story, tell the characters, complicate their lives, make things get worse,' but we never worked backwards from the plot, and it was always a great lesson.
The documentary 'Certifiably Jonathan' has engrossing moments in it. How can it not? It's got a great subject - the extraordinarily voluble comedian Jonathan Winters, whose constant rush of words can be like a blizzard: beautiful, maddening, exhausting, and finally beautiful again. But it's not a great film.
I've always thought that one of the things that the Internet and the gaming world permits as a narrative technique is to not tell the story from beginning to end - to tell stories sideways, to give alternative possibilities that the reader can, in a way, choose between.
Writing has certain advantages; film is another way to tell a story. An experienced filmmaker will take what she needs from the book and leave out other things. With adaptations, you never get the texture of the writing: it's a different mode.
To me, art is the capacity to experience one's innocence: craft is how you get to that point. Maturity in a musician would be the point at which one is innocent at will. At that point the relationship between music and the musician is direct and reliable.
The relationship with music is always mysterious: when it works, you can never tell. You can never guarantee when it's going to work. You can only to put yourself in a place where it's more likely to happen.
I never would rule out a great character or a great story. I don't care what the forum is. If I get to tell a story that I'm excited about, I'm in.
It's great fun if you get a good piece of writing and you can pretend to be someone else, tell a story that needs to be told, make some kind of connection. I've always fancied myself as a leading man, but I really doubt whether anyone else sees me that way.
The rational intellect doesn't have a great deal to do with love, and it doesn't have a great deal to do with art. I am often, in my writing, great leaps ahead of where I am in my thinking, and my thinking has to work its way slowly up to what the "superconscious" has already shown me in a story or poem.
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