A Quote by Joe Louis

Let me tell you, that was a thrill. Now, even more, I knew I had to get Schmeling good. — © Joe Louis
Let me tell you, that was a thrill. Now, even more, I knew I had to get Schmeling good.
I'm a practised writer now. But when I began, I had no idea what this was going to be. I just knew that there was something inside me that wanted me to tell who I was, and that would have come out even if I didn't want it.
I had a chance at him now. Things were a bit more even. He knew my name, I knew his. He had six years' experience, I had five thousand and ten. That was the kind of odds that you could do something with.
Now, about that mulatto teacher and me. There was no love there for each other. There was not even respect. We were enemies if anything. He hated me, and I knew it, and he knew I knew it. I didn't like him, but I needed him, needed him to tell me something that none of the others could or would.
I get such joy out of performing for people, and you can tell whether they like you or they don't like you the minute you walk out on the stage. And they don't even have to tell me that they had a good time. I know they had a good time.
My task with 'Uh-Huh' was to make a more even record and get away from juvenile topics like 'Hurts So Good.' But I also knew if I wanted to continue, I had to have more hits.
Please tell me a story about a girl who gets away." I would, even if I had to adapt one, even if I had to make one up just for her. "Gets away from what, though?" "From her fairy godmother. From the happy ending that isn't really happy at all. Please have her get out and run off of the page altogether, to somewhere secret where words like 'happy' and 'good' will never find her." "You don't want her to be happy and good?" "I'm not sure what's really meant by happy and good. I would like her to be free. Now. Please begin.
I think of you, I dream of you, I conjure you up when I need you most. This is all I can do, but to me it isn't enough. It will never be enough, this I know; yet what else is there for me to do? If you were here, you would tell me, but I have been cheated of even that. You always knew the proper words to ease the pain I felt. You always knew how to make me feel good inside.
But for now, I just sat there on the bed and listened to my song. The one that had been written for me by a man who knew me not at all, now sung by the one who knew me best.
Painting is similar to music. You get a couple or words or notes or chords that excite you, and you just follow them and add a bit more and see where it takes you. That's the thrill for me. It still is a thrill, which is amazing after all this time.
Even when I was struggling and had horrible day jobs and wanted to be successful but wasn't finding my way in, I knew what I had to do. I knew I had to keep working at it and keep putting material out there, even if no one was paying me for it.
To some it may be a thrill to be known, to me it's a thrill to start a friendship even up.
And I felt more like me than I ever had, as if the years I'd lived so far had formed layers of skin and muscle over myself that others saw as me when the real one had been underneath all along, and I knew writing- even writing badly- had peeled away those layers, and I knew then that if I wanted to stay awake and alive, if I wanted to stay me, I would have to keep writing.
I met David Beckham - now he was a good one to tell my mates about. I was at the launch of his new fragrance. I introduced myself but he said he knew who I was and knew my songs.
I remember, as a kid, nothing struck me funnier than seeing Richard Nixon look into the camera and sincerely tell everyone he didn't know where the 18 minutes had gone from his tapes. But there was all this sweat on his upper lip. We knew he was lying. He knew we knew he was lying. But he was determined to tell the lie.
I hated my teachers because I knew they didn't care, and I knew they had no control over me, so I hated them even more.
I honestly would tell anyone young to start looking at stories and learning story, because I think that’s the next step after people go, ‘OK, I’ve had enough of that improvisation, I’ve had enough of those short comedy bits. Tell me a story, tell me a more complex story, something that lasts and maybe has a little more meaning to it.’ Don’t ever look at what’s happening now; look at what’s coming next.
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