A Quote by Joe Louis Walker

I know that for category purposes, people have to lump certain artists in with genre that they make their name or their bones in. Nobody can tell me that Taj Mahal is pure blues. Nobody can tell me that Mike Bloomfield was pure blues. It was a lot of other things going on as well.
Nobody can tell you how the blues feel unless they have the blues. We all take it differently.
A lot of people wonder, what is the blues? Well, I'm gonna tell you what the blues is.
There's no way in the world I can feel the same blues the way I used to. When I play in Chicago, I'm playing up-to-date, not the blues I was born with. People should hear the pure blues - the blues we used to have when we had no money.
Theres no way in the world I can feel the same blues the way I used to. When I play in Chicago, Im playing up-to-date, not the blues I was born with. People should hear the pure blues - the blues we used to have when we had no money.
You've heard me call myself a bluesman and a blues singer. I call myself a blues singer, but you ain't never heard me call myself a blues guitar man. Well, that's because there's been so many can do it better'n I can, play the blues better'n me. I think a lot of them have told me things, taught me things.
Nobody is going to tell me that I can't do three games in a week. No one is going to tell me that I can't do it well. I'm going to work really hard at it. I get bored if I don't have 10,000 things on my plate.
People should hear the pure blues - the #? blues we used to have when we had no money.
See, I have a different type of music from other peoples. They playing the other kind of blues, and I'm playing cotton-patch blues.... Ain't nobody now can play the blues that I play.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
I think that these are different times, and different things are available to artists, and certain things have become passΓ©. You've already seen the outcome of a lot of things that seemed to have a lot of potential. We've already heard that, and I can't tell you if it made a difference or not. But we already know that artists can do that, and they shouldn't feel threatened by doing it. They're probably not going to change the world. They're going to change a few people's perspectives and maybe make somebody's day at times, if they can.
I realized I was tired of singing about trees and flowers. I wanted to sing about real life. From then on, nobody could tell me anything was better than blues.
I'm Nobody! Who are you? Are you – Nobody – too? Then there's a pair of us? Don't tell! they'd advertise – you know! How dreary – to be – Somebody! How public – like a Frog – To tell one's name – the livelong June – To an admiring Bog!
Nobody was ever going to tell me that I didn't belong on a football field. And nobody was ever going to tell me that I couldn't be great.
I don't remember any impression [from blues].The blues was just everywhere in the Mississippi Delta. It was mostly black sharecroppers living there, and there was a lot of blues around. Sometimes the guys would sing the blues in the fields, working.
I grew up in a household where I learned five things from my old man. You know what they were? You're no good. You're a failure. You're not going to amount to anything. Don't trust nobody, and don't tell nobody your business. When I lost to Larry Holmes in 1982, I felt all five of those things smacked me right across the face.
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