A Quote by Joe Lovano
This solo piano exploration (Beyond The Sky) by Rob Schwimmer is full of passion and love...his execution and ideas flow with a beautiful sense of freedom that captures you from his first phrase to the last.
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I liked Yeats! That wild Irishman. I really loved his love of language, his flow. His chaotic ideas seemed to me just the right thing for a poet. Passion! He was always on the right side. He may be wrongheaded, but his heart was always on the right side. He wrote beautiful poetry.
But I liked Yeats! That wild Irishman. I really loved his love of language, his flow. His chaotic ideas seemed to me just the right thing for a poet. Passion! He was always on the right side. He may be wrongheaded, but his heart was always on the right side. He wrote beautiful poetry.
He who is himself crossed in love is able from time to time to master his passion, for he is not the creature but the creator of his own misery; and if a lover is unable to control his passion, he at least knows that he is himself to blame for his sufferings. But he who is loved without reciprocating that love is lost beyond redemption, for it is not in his power to set a limit to that other's passion, to keep it within bounds, and the strongest will is reduced to impotence in the face of another's desire.
The precision of hisskill places his work beyond the tentative and the experimental stage. He is continually searching and exploring both himself and his surroundings. and in this exploration of the realm of places, people and things, contrasts and relationships, Callahan is no respecter of conventional technical formula or code. His delicate sense of pattern is an integral part of his photography and not a thing by itself.
A photographer's art is more in his perceptions than his execution. In a painter, I think the perception is only the first step, and then you have a kind of hard road of execution.
Love is ease, love is comfort, love is support and respect. Love is not punishing or controlling. Love lets you grow and breathe. Love's passion is only good passion -- swirling-leaves-on-a-fall-day passion, a-sky-full-of-magnificent-stars passion -- not angst and anxiety. Love is not hurt and harm. Love is never unsafe. Love is sleeping like puzzle pieces. It's your own garden you protect; it's a field of wildflowers you move about in both freely and together.
A small child has no ambitions, he has no desires. He is so absorbed in the moment - a bird on the wing catches his eye so totally; just a butterfly, its beautiful colors, and he is enchanted; the rainbow in the sky... and he cannot conceive that there can be anything more significant, richer than this rainbow. And the night full of stars, stars beyond stars... Innocence is rich, it is full, it is pure.
The fitness of the pupil is shown in his love for the acquisition of knowledge, his willingness to receive instruction, his reverence for learned and virtuous men, his attendance upon the teacher, and his execution of orders.
If a man's free will to adopt ideas and values is inalienable, his freedom of action - his freedom to put these ideas into effect in the world - is not in such a fortunate condition.
Rob Playford is a phenomenal engineer, but he doesn't have his own ideas, he doesn't make his own music. But what he does have is a fantastic width and berth to throw loads of creative ideas at him.
High school is cool, especially that first-love mentality. That's what 'Sierra Burgess' captures is, like, his first moment of love. That's what I love. I like that innocence.
I always love that phrase, 'Oh, this is a good idea, but it's execution dependent.' As if anything in life is not execution dependent. Breathing is execution-dependent.
Before I joined Kraftwerk in 1971, I played guitar in a band called Spirits of Sound, whose members included (at times) amongst others singer Wolfgang Riechmann (Sky Records released his only solo album Wunderbar shortly after his death in 1978) and drummer Wolfgang Flür (later on Kraftwerk, now solo). The music of S.o.S. in the mid 60's first was the English pop and rock music of the times (Beatles, Kinks, Rolling Stones ).
The computer is a tool akin to a telescope or a microscope; a tool that opens vast frontiers of possibilities and brings them to light; a tool that captures the elemental and animates or holds it still at will; a tool that captures the organic flow of the earth's crust or the wash of a wave, and creates an impossible symmetry, an elemental Rorshach pattern ripe for continued exploration, divulging a thousand revelations.
As man reaches out toward the twenty-first century, he will learn to be suspicious of all ideas that are not formulated so that they can be tested by observation. He will realize that the history of human thought shows that the ideas of which we are surest are the ones we most need to test. He will realize that his common sense only mirrors his training and experience. What seems natural and right to him is usually a reflection of the conditions under which he spent his first decade of life.
We are all born with a belief in God. It may not have a name or face. We may not even see it as God. But it is there. It is the sense that comes over us as we stare into the starlit sky, or watch the last fiery rays of an evening sunset. It is the morning shiver as we wake on a beautiful day and smell a richness in the air that we know and love from somewhere we can't quite recall. It is the mystery behind the beginning of time and beyond the limits of space. It is a sense of otherness that brings alive something deep in our hearts.
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