A Quote by Joe Lycett

In truth, I have absolutely no idea how to value my work. — © Joe Lycett
In truth, I have absolutely no idea how to value my work.
I've always liked this idea that writing should comfort the afflicted, and afflict the comfortable to create trouble. The value of a work of art can be measured by the harm spoken of it. If you're not feeling that, then absolutely, why bother?
I certainly think so, and I argue so, and I give talks on that. Are there risks by putting people together? Absolutely. Is there value in the black church? Absolutely. Is there value in having immigrant churches? Absolutely. But if we don't have congregations gathering with people of different races, what we're doing is we are redefining racial division, a racial inequality.
Do not depend on the hope of results. You may have to face the fact that your work will be apparently worthless and even achieve no result at all, if not perhaps results opposite to what you expect. As you get used to this idea, you start more and more to concentrate not on the results, but on the value, the rightness, the truth of the work itself. You gradually struggle less and less for an idea and more and more for specific people. In the end, it is the reality of personal relationship that saves everything.
I use computers and the Internet every day of my life, and yet I have absolutely no idea how they work. I'm like a labrador watching 'The Matrix.'
When I walk into a room, I know my storytelling has value and I have to sell my idea. I have to help people see the financial value and gain in my work.
If I put a value on my music, and no one's prepared to pay that, then more fool me, but the idea that the value is created by the consumer is an idiot plan; it can't work.
I don't value authority. I don't value the systems. I don't value patriarchal religion. I don't value the things that diminish you when you do tell the truth. So I'm not scared of the end result, and that is the biggest asset I have.
I love being presented a character that boggles my mind. I have to do a lot of work and explore how I can make the guy absolutely real and absolutely believable to myself. And then, I go to work on doing that for other people.
Pragmatism asks its usual question. "Grant an idea or belief to be true," it says, "what concrete difference will its being true make in anyone's actual life? How will the truth be realized? What experiences will be different from those which would obtain if the belief were false? What, in short, is the truth's cash-value in experiential terms?
It is rather astonishing how little practical value scientific knowledge has for ordinary men, how dull and commonplace such of it as has value is, and how its value seems almost to vary inversely to its reputed utility.
Novels tell us the most truth about life: what it is, how we live it, what it might be for, how we enjoy and value it, and how we lose it.
The world is a thing of utter inordinate complexity and richness and strangeness that is absolutely awesome. I mean the idea that such complexity can arise not only out of such simplicity, but probably absolutely out of nothing, is the most fabulous extraordinary idea. And once you get some kind of inkling of how that might have happened ' it's just wonderful. And . . . the opportunity to spend 70 or 80 years of your life in such a universe is time well spent as far as I am concerned.
People have no idea how hard football is, absolutely no idea. It's all about pace. You can say, 'Yeah, you've got speed of thought' - but you've got to have a little bit of a zip.
People often tell me that they have no idea how I can do standup. The idea of trying to make a large group of strangers laugh is, for many, absolutely petrifying - and it is - but there are ways of gradually developing the material that can ease the fear.
I absolutely value autonomy. I value freedom and having the ability to implement change right away.
Causal analysis provides absolutely no value judgment, and a value judgment is absolutely not a causal explanation.
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