A Quote by Joe Lycett
The idea was to become an actor. Then I found I really didn't like acting.
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I had no idea what it took to be an actor. Then all of a sudden I found myself cast in a TV drama. The director was very harsh with me. One time, he told me this would be my first and last acting job. I seriously thought that acting was not the right career for me.
I like this other world, this forgetting of myself. The actor works in order to escape, not to find himself. You become an actor by leaving yourself, and then you have to keep acting. How tragic!
I had to go in and do the work of toning [invented "historical" bits] down in order to make them fit [in Lincoln in the Bardo]. It's like if you're an actor and you're always overacting, well, you're a bad actor. But if you're an actor who subdues yourself to the extent that's necessary, then you're really acting.
When you're a kid, you imagine acting to be singing and fighting and like the movies. Then you become an actor and get the reality, which is often a lot more mundane. But sometimes it's really nice to run around with guns saving the world.
My abject hatred of actors and the acting world. I went to college as an actor, and halfway through, I switched to playwriting and directing. Then I spent a couple years working in publishing, doing some freelance journalism for The Village Voice and Musician magazine. I thought my life was going to be as a writer, but then I realized I missed performing, so I got into comedy. It was a nice combination of things I was sort of good at. I was a pretty good writer and a decent actor, but I didn't really like acting, and I didn't have the discipline to be a writer.
People always think that I came from this dynasty of actors. But that's not true, because it was just dad. So as a child... I got to try it out really young... and I really loved it. I pretty much made my decision back then to become an actor. And then, more and more of us have joined the trend. So now, we're definitely an acting family.
Kids really take you out of yourself, and your priorities become really clear. With acting and the business, you don't really have priorities. You have no idea what each day or week's going to be like.
So from an actor's perspective, you really have no idea how you're acting.
After I found that I had become an actor, slightly to my surprise, I did have some insecurity, and I did take some rather strange acting classes at a place called The Actor's Studio in London. I don't think they did me any good at all.
If you really want to become an actor, but only providing that acting doesn't interfere with your golf game, political ambitions and your life, you don't want to become an actor. Not only is acting more than a part time job, it's more than a full time job. It's a full time obsession.
I didn't intend to even become an actor. I was studying fashion, and I think acting just happened by chance. It really felt more like I was watching a movie from outside, like it was happening to someone else. It's been a great journey so far.
When you really want a role and you really want a character, you become quite close to the script and the project, and it is sad when it doesn't go your way. But I've found there's always another one, which will be as good if not better. You can't let your failures bring you down when you're an actor, because then you can't get up.
I've found that in fiction - and this is just the kind of writer I am - I can't really work from an outline. I have a vague idea of the characters at the beginning of the book, and then I have a vague idea of whatever the end of the book will be, but I can't approach creative nonfiction like that.
I wasn't really driven to be an actor or anything, but in college I decided to study acting, much to my parents' disappointment. I attended Mason Gross School of the Arts at Rutgers where Bill Esper was, and that is where I really got hooked on the art of acting, and, almost, the chemistry of acting.
You reminded me of a quote that my acting teacher Stella Adler wrote in her book ['The Art of Acting'], which I asked her to sign: "The young actor feels some greatness inside themselves that they want to give back to the world." That resonated with me, but I didn't really understand what she was talking about until much later, in the way you surmised that my struggle to become an actor was from being this kind of introverted young boy.
I do these things, as an actor, that I would have been oblivious to, if I hadn't studied acting. You start to understand the emotions and feelings, as close as you can get to them. That really helps. Acting literally saved my life. It helped me not become one of the statistics of all the military members taking their lives because of depression and PTSD.
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