A Quote by Joe Lycett

I try and avoid the big comics in Edinburgh. You can see them on tour. Edinburgh is all about seeing the smaller comedians. — © Joe Lycett
I try and avoid the big comics in Edinburgh. You can see them on tour. Edinburgh is all about seeing the smaller comedians.
I do get recognized, but I must say Edinburgh is a fantastic city to live if you're well-known. There is an innate respect for privacy in Edinburgh people, and I also think they're used to seeing me walking around, so I don't think I'm a very big deal.
In my career, all my most important breaks have come from Edinburgh. Winning awards, being reviewed, bagging my BBCR4 series and the chance to tour has all come from Edinburgh, which begs the question, why the hell have I left it so long to come back?
Edinburgh is good craic. A romantic and beautiful city, it's one those places that makes me smile when I think about it - there are other places I would never dare go back to, but Edinburgh is very special.
My parents had never been to Germany. But I knew what I didn't want to write about, and I didn't want to write about Edinburgh. A lot of writers find Edinburgh fascinating, but I never did. As a matter of fact, I couldn't wait to get away from it.
This might sound really foolish, but when I came to Edinburgh in 1988 I had spent nearly all my life living south of Bristol, and I was just amazed that a city like Edinburgh was actually in the British isles.
There's all this stuff that is happening in Edinburgh now, it's a sad attempt to create an Edinburgh society, similar to a London society, a highbrow literature celebrity society.
The Edinburgh Fringe is a tough beast and you do whatever you can to get through it. But it's really the worst place to see comedians; everyone is so tense and nervous because it feels like Ofsted inspectors are out there.
I liked Edinburgh as a university in a way that I'd never enjoyed King's College London. I realised after I came to Edinburgh that perhaps it was a mistake to have gone to a college which was bang in the centre of a vast city. It had a bad effect on the social life of the students because a lot of them were commuting from outer London.
For comics, Edinburgh makes no financial or medical sense. Get an audience; that's the first task. Once the punters are in, simply make them laugh for an hour, and then sweat on the critics.
I used to say Edinburgh was a beautiful actress with no talent. I thought it was just like a shortbread tin. I think that's because I did six Festivals in a row there, and I never saw the real Edinburgh, just a lot of deeply annoying Cambridge Footlights kids wanting to be actresses.
I was an adult and I was in the Edinburgh Fringe Festival. I was performing in this cave - they used to bury the plague victims in these caves underneath the streets of Edinburgh, when I got this weird cold sensation up my spine, it gave me this really weird feeling, and then I looked up and there was this white, sudden white shape, that just zapped from me and went straight to the light that was at the back of the room, and I just stopped cold and said to the audience, "Did you guys see that?" No one saw it.
Going to Edinburgh when I was at university and seeing people who were my age just getting up and doing what they wanted to do, was quite a clincher for me.
Even though one of them is about an Edinburgh junkie and ones a little boy of eight in Manchester, you want them to always portray their world in such a vivid way that the audience can disappear inside the story.
In 1987, I was in Edinburgh doing my first one-man show. I took part in a kickabout with some fellow comedians and tripped over my trousers and heard this cracking sound in my leg. A couple of days later I went into a coma and was diagnosed with a pulmonary embolism.
I try not to think about writers who came before me when I'm writing myself. If I did, given the abundance of literary talent Scotland - and Edinburgh in particular - has bestowed upon the world, I wouldn't be able to get as much as a sentence written.
It's awkward going back up to Edinburgh to see my old friends, because I'm not on the same wavelength.
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