A Quote by Joe Maddon

As a bench coach in Anaheim I used to sit down below with Sosh (Scioscia) on that little area, and then when you'd get up on top, it was an entirely different vibe, man. Two, three steps up, it's a different vibe. You feel everything.
I know I dress up for stage but that's a different story, if you see me in my day to day clothes, I am on a much different vibe to what I used to be.
I grew up with the Boston vibe and the Catholic vibe. I don't want to put anybody out.
My worlds are completely different. Painting is a peaceful world, and it's a different vibe than having a great match. You are able to look back at what you created when you finish. Recording music is an entirely different monster. When you finally write something, you do a demo and then you go into the studio. Doing the master version, that's the best feeling ever - especially when you're so proud of what you've written, and you can't wait for people to hear it. That's actually very similar to trying to tell a story in a wrestling match.
I like to adapt to each city. I like to come up with a concept for each space I do. The vibe in L.A. is a little sexier than New York, so the colors are a little different.
When you go to South Africa, you get a different vibe and a different sound. The music is awesome the people are loving it. When you go to Botswana, it's a different ball game. The people out there love Afro Beat Hip Hop so much. When you go to Sierra Leone it's different, when you go to Nigeria it's different... It's all pretty exciting!
Kids don't say, "Wait." They say, "Wait up, hey wait up!" Because when you're little, your life is up. The future is up. Everything you want is up. "Hold up. Shut up! Mum, I'll clean up. Let me stay up!" Parents, of course, are just the opposite. Everything is down. "Just calm down. Slow down. Come down here! Sit down. Put... that... down."
I definitely enjoy the kind of magic that happens being on stage with a group when everything's working. The vibe when that's happening gets even better if the audience is involved and you can feel that interaction. That's something you don't get with your headphones on in a studio; it's much different.
My philosophy with my career is mostly to just mix it up with a little bit of everything in moderation. And that's what makes my job so great, is that I get to constantly do different things, put on different hats, be different people, and mixing up the genre really lends itself to that.
Every project is different. When I'm working on my albums, I've worked with different producers and they've all had different personalities. The recording studio sets the vibe, and that changes as well.
I observe that there are two entirely different theories according to which individual men seek to get on in the world. One theory leads a man to pull down everybody around him in order to climb up on them to a higher place. The other leads a man to help everybody around him in order that he may go up with them.
I want to put my vibe and my feel of music into an album and have people from different places around the world feel that and hear that.
Hopefully we have a slightly different vibe, but also East Side is where a lot young people live. It is a really fun, trendy, funky neighborhood, and it is ripe for satire, that area specifically.
Everything has it's own vibe. Every song has a different place, I guess, of where and when and what was going on and things of that nature.
L.A. is so slow. Everyone is so chill, and the weather, of course, makes everything better, but it's just a different vibe.
Music has got a community vibe to it that pulls people together, and those communities are different in different places.
I like that you can easily flip the sheets over and have a different feel or vibe in your room. You don't have to go get a whole brand-new set of sheets.
This site uses cookies to ensure you get the best experience. More info...
Got it!