A Quote by Joe Maddon

Obviously Javy [Baez] is able to control his emotions, he plays it as it should be, it's a game. That's how he plays it. — © Joe Maddon
Obviously Javy [Baez] is able to control his emotions, he plays it as it should be, it's a game. That's how he plays it.
I'd like to be in a position to have plays run through me and share the ball, make plays. Still score, obviously, but make plays, as well.
Obviously, like anything else, I have views on how we should play defense but I don't call the defensive plays. I have views on how I want us to run our offense but I don't call our offensive plays. It's in collaboration with Phil Snow, with Joe Brady, with all of our coaches.
You can say what you want about Carlos Tevez, but when he plays, he plays to win, and he plays for his team-mates.
When Javy Baez goes out there, man, you saw him before the game sitting on the bench, saw him waving into the camera, he's just being himself. I love that.
Richie Faulkner is very respectful to the songs that he plays from when [founding member] K.K. [Downing] was in the band. He plays them incredibly. And he's got his own nuances and his own techniques that he puts in - as he should.
You run your plays, you know your plays, you study your plays, you study the other team, you do as much as you can, you go to practice, you get in shape, you do what you need to do, and then by the time you get to the game, you know your plays, but they have to feel like they're in your bones. That has to be an unconscious thing, it cannot be conscious. That is everything to me.
The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
I like the way Michael Crabtree plays the game. He's strong, he goes up for the ball, he has that mentality to just make plays.
I know I can get to the basket whenever I want, but I've got to be able to create some plays, like easy plays.
A big thing for me is trying to work on slowing down and not rushing plays, so I can be able to make plays for my teammates.
I don't believe really good plays - interesting plays, complicated plays - can mean just one thing to every single person in the audience.
My family is all musicians - my dad plays drums, my mom plays flute, my older brother plays drums, my little brother plays drums and piano. For some reason, I didn't get the memo, so I just play bass.
I understand the plays, the depth, the routes, the splits and everything. I just feel good that I can make some plays. Definitely, the game's slowed down for me.
I love going to plays. There's a subconscious side to it, obviously-some people like to be spanked for XYZ psychological reasons, and I like to go to plays, and I can't entirely explain why.
We saw that he plays with his heart too. He obviously loves the game so much and was distraught to lose in the final. Seeing him cry nearly got me going too.
For early plays of mine, I started with character. But I think that's because I hadn't been in theaters; I hadn't worked that much. I'm very interested in character, obviously, but once I started having my plays produced, I became so fascinated by the theatrical experiment and the weirdness of theatrical space, so now all my plays start with space and stage picture and setting - or container is maybe the better way to put it.
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