A Quote by Joe Madureira
I like coming up with new characters. Whether it's revamping an old character no one likes or just coming up with brand-new stuff, that's kind of what excited me as an artist.
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I like to go on stage with a variety, with some stuff that's been around for a handful of years, some stuff from the last year, some stuff is from last week, and some stuff is brand spanking new. Those are the moments that excite me - when I'm coming up to a brand new bit. The more virgin the snow, the more fun it is to run on.
I feel kind of like a kid absorbing everything. I just like seeing people who are doing their thing, whether it's music, or a movement they're creating, or coming up with new technology. I really like seeing that there's new stuff happening. I find that the most inspiring thing.
I remember the excitement of being a new artist. When up and coming artists ask me like, "Any advice you have for me?" I always say, "Take it all in because you'll never be a new artist again".
The Ramones are the type of group where it took the world, like, 30 years to catch up with them. Because we were kind of breaking new ground, coming up with new ideas and different concepts which kind of blazed a trail for a whole new music scene, really.
I really love New York, and I've lived here for a long time. I know not just the different neighborhoods but the different kind of class cultures in New York from the up-and-coming, down-and-out kind of artist to the powerful worlds of finance.
A big part of the fun of working on Superman has been coming up with new characters and concepts to toss in, helping to design their costumes, things like that. And I spent ages coming up with the name 'Fortress of Solidarity,' so I want to get as much use out of it as I can!
I never really put pressure on myself to make things seem new and spontaneous, mostly because I think everything is kind of derivative at this point. I enjoy the old-fashioned idea of like, His Girl Friday and Bringing Up Baby, those old movies. Those relationships are kind of where I've gotten inspiration for this character and this relationship. But I think what makes it new is just the words coming out of my mouth personally, and my take on it based on my own personal life experience is hopefully going to add something a little different, and add some flavor to it.
There's lots of R&B blogs that I like going on and it basically just names new music that isn't out and won't be out for a long time and stuff. It just gives you an insight on what's coming up next and finding out about new artists.
Growing up in a brand-new country, coming from the Philippines, was hard. I was treated differently and felt like people thought less of me because I was Asian.
If you are the record label who owns Lady Gaga, and you have a new artist coming up, you can say, 'Let's have the artist play just before Gaga.' Now you've exposed the huge Gaga audience to the new artist. It's similar to showing a trailer before a movie. The hit creates a hit.
I'm aware of what my effect on the populous could be, and I try to use it in a positive way, whether it be in an Instagram post or a tweet, or promoting whatever new job that I have. I don't figure too much as a Latino man coming up, or a certain ethnic man. I'm very, very proud of being a Mexican-American man, but I would rather people just see me as a man coming up who just happens to be Mexican.
If you think about jeans or phones or television, we are used to new brands popping up right and left. But in the car industry, we grew up with Mercedes, BMW, General Motors, and Ford, and nobody can remember during his or her upbringing a new car brand coming to life.
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.
I grew up in New Orleans. I had just moved into my dorm at the University of New Orleans, and I was doing laundry, and my mom called me, like, 'We've got to evacuate. There's a hurricane's coming.'
I love thinking, I love coming up with great ideas. I just get excited. Sometimes if I get a big idea, I'm just like a kid, like I've found a new toy.
I just kind of opened up and said, 'I feel like a rag doll. I have hair and makeup people coming to my house every day and putting me in new, uncomfortable, weird dresses and expensive shoes, and I just shut down and raise my arms up for them to get the dress on, and pout my lips when they need to put the lipstick on.'
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