A Quote by Joe Manganiello

There are these little towns outside of L.A. Once you get an hour and a half, two hours out, you get into these little, tiny towns that are almost like stuck in time. — © Joe Manganiello
There are these little towns outside of L.A. Once you get an hour and a half, two hours out, you get into these little, tiny towns that are almost like stuck in time.
I prefer to go to the little towns now, because in little towns people are kind. I like going to Tepotzlán.
There are a million tiny weird towns. You never know what you're going to get into if you drive an hour into the wild.
Most of our lives are spent in little towns, little towns all throughout the country. That's where we live. And that's where the juices come from and that's where we made it, not made it in terms of success but made who we are.
Living in Barcelona, I have my own little ghetto utopia. There are 3,000 ghost towns in Spain, and I've used the images of them a lot in my backdrops for my solo spoken-word stuff. The ghost towns could be from two buildings to 40 - things died out, or there were plagues, the roads don't lead there, whatever.
You have an hour and a half or two hours - maybe two and a half hours - in a movie, and it has to be a self-contained three-act structure. It's like a rock and roll song. Certain things have to happen for it to be a toe-tapper and get people excited, leaving the theater.
The majority of the Big Ten towns are college towns. The colleges are kind of what run the towns.
One of the cries from the people was, don't forget us. They have a long road ahead of them. Operation Blessing has found those little fishing towns. They will not be getting what other towns are getting from the government.
Thank God my hair is always the same. And I get dressed very quickly. I am not one of those people who spend three hours getting dressed. I never understood that. What do you do for the two and a half hours after the half hour it takes you to get ready?
I love playing small towns, but in Sweden, it's sometimes a little bit weird, because all small towns are just so close to bigger cities that people are not as grateful when you show up as they are in Odessa, Texas.
The ones [comedies] that I always liked, whether it's Terms of Endearment, Broadcast News, or Fast Times of Ridgemont High, they were all about two hours, or a little bit over two hours. With that extra 15 or 20 minutes, you can get to real character and you're not just stuck in plot.
A more courageous empathy is needed in our country to see the struggles of people from factory towns to farm towns to city towns who can't even afford the rent in their cities anymore because costs are going so high.
I met a number of young, striving, enterprising people in cities like Aligarh and Hubli. But the mental landscape of these towns is out of sync with their reality. Many of these towns are hellholes.
Okemah was one of the singingest, square dancingest, drinkingest, yellingest, preachingest, walkingest, talkingest, laughingest, cryingest, shootingest, fist fightingest, bleedingest, gamblingest, gun, club and razor carryingest of our ranch towns and farm towns, because it blossomed out into one of our first Oil Boom Towns.
I grew up in Nazareth, Penn., which was an hour and a half from New York, and an hour and a half from Philly. So bands that were touring came through one way or another. We got to see stuff people in other small towns didn't, like Wesley Willis. I couldn't have asked for a better place to grow up and be into music.
When we travel every weekend and we're out in these different towns, seeing the numbers that show up and how into the shows they are, I love the fact that we get to travel around and bring NXT to these fans in different towns that love what we do.
When I read Matt Ruff's book, that was my first encounter with learning about sundown towns, and I was like 'What?' Like, you can't make this up. If I wrote this horror movie talking about sundown towns where you can't be black after dark in America, people be like, 'OK, we get the metaphor,' and it's like, no, that's real. It's not a metaphor.
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