A Quote by Joe McNally
John Loengard, the picture editor at Life, always used to tell me, ”If you want something to look interesting, don’t light all of it.
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We are always taking a hard look at how life was in the past in coming up with interesting subject matter for our various series, and remembering how much I used to want an encyclopedia as a kid made me realize wanting a set is very unlikely for teens today, and that conversation would be interesting.
If you want something to look interesting, don’t light all of it.
Performing is something that has really grown on me and become an important part of my life, which I didn't used to feel. I didn't used to want to really perform live a lot. It's been an interesting adjustment.
John was an extraordinary man. Our relationship has shaped much of my life. I have always loved him and never stopped loving him. That’s why I want to tell the real story of the real John – the infuriating, lovable, sometimes cruel, funny, talented and needy man who made such an impact on the world. John believed in the truth and he would want nothing less.
how we rolled up the carpet so we could dance, and the days were bright red, and every time we kissed there was another apple to slice into pieces. Look at the light through the windowpane. That means it's noon, that means we're inconsolable. Tell me how all this, and love too, will ruin us. These our bodies, possessed by light. Tell me we'll never get used to it.
I will be so glad to take the picture and pose and look good for the picture. But when you catch me while I'm looking real sideways and the picture's ugly as hell, I don't want you to have the picture like that!
There's something special about working with picture and adding music to picture that really takes you to a whole new level. It's always the director's picture first, and I'm there to help tell the story.
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
Anxiety uses imagination to picture something you don't want. Vision uses imagination to picture something you DO want. Either way, you tend to get what you focus on. Imagine a future where you shine, others thrive, and the light of hope shines brighter in the world. If you can see it, you can be it.
I no longer look at my life and times in the motion picture industry as my career. I just look at it now as something I like and want to do.
All four winds together can't bring the world to me Shadows cast a play of light, so much I want to see Chase the sun around the world, I want to look at life-In the Available Light. I'll go with the wind, I'll stand in the light.
It's nuts to me that people want to take a picture with me or want to tell me a story about their family. If they want to give it to me, I'll always take it. It's never intrusive.
Academy of Motion Picture Arts and Sciences, fellow members of the motion picture industry and honored guests. This is one of the happiest moments of my life, and I want to thank each one of you who had a part in selecting me for one of their awards for your kindness. It has made me feel very, very humble and I shall always hold it as a beacon for anything that I may be able to do in the future. I sincerely hope I shall always be a credit to my race and to the motion picture industry. My heart is too full to tell you just how I feel, and may I say thank you and God bless you.
It is a great honor for me to be compared to Henri Cartier-BressonBut I believe there is a very big difference in the way we put ourselves inside the stories we photograph. He always strove for the decisive moment as being the most important. I always work for a group of pictures, to tell a story. If you ask which picture in a story I like most, it is impossible for me to tell you this. I don't work for an individual picture. If I must select one individual picture for a client, it is very difficult for me.
Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
I don't look at women as groupies. To me, a groupie is a stalker. If you're a fan, then you're a fan. But I can look at a woman and become a fan of hers instantly. I'll tell a woman, "Look, I don't want your phone number. Just give me your autograph. Can I take a picture with you?"
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