A Quote by Joe McNally

I can't tell you how many pictures I've missed just 'cause I've been so hell bent on getting the shot I think I want. — © Joe McNally
I can't tell you how many pictures I've missed just 'cause I've been so hell bent on getting the shot I think I want.
We should be hell bent on getting those weapons of mass destruction, hell bent on having a credible approach to them, but we should try to do it in a way which keeps the world together and that achieves our goal which is removing the... defanging Saddam.
Sometimes people come in as a director, and they just want the result, and they barely want that to tell you the truth. Sometimes directors barely talk to the actors; they are so focused on the cinematic elements of the movie, getting the shot and getting the lighting right or getting the CGI effects right and all of that, and they just trust that you are just going to do what you do.
What you and I need to do is learn to forget our differences. When we come together, we don't come together as Baptists or Methodists. You don't catch hell 'cause you're a Baptist, and you don't catch hell 'cause you're a Methodist... You don't catch hell because you're a Democrat or a Republican. You don't catch hell because you're a Mason or an Elk. And you sure don't catch hell 'cause you're an American; 'cause if you was an American, you wouldn't catch no hell. You catch hell 'cause you're a Black man. You catch hell, all of us catch hell, for the same reason.
I learned to smile by going through hell. Now I know what hell is and you don't. I can't tell you how it is, cause you can't do it with words.
I think I missed all of the wonderful things ... I missed the control that you have in film, and I missed getting it right, really getting it right, the way you hope people will see it. All of the things that people love about theater - the fact that it changes every night and that it's so spontaneous - all of those things just frighten me.
I never wished to be a politician, and I despise them. I've also wrestled with it over the years, and I deeply dislike propaganda. And all art that is about propaganda, no matter how wonderful it's cause may be, I think is morally wrong. That's a major theme of my work. I don't want to control how people think; I want to show them how they are controlled by pictures.
Many Americans simply don't want the pinheads in Washington or the various state capitals to be telling us how to live. But we are absolutely going in that direction. President Obama is hell-bent on imposing a bureaucracy that levels all playing fields at great expense in coin and in freedom.
On things she had to pack before leaving her home in advance of a forest fire, 1996. Childhood pictures and pictures of my life. Do you know how many pictures that is? Not just this life; I have pictures from 13,000 lives.
Would I have been a great basketball player? No. But I think I would've been a good basketball player, one of those grinders getting eight to 10 rebounds. I would've been like Kobe and been in the gym five to seven hours a day and never missed a 10-foot jump shot. I would've been a great role player for a team.
I thought about how to film something, how to take pictures of it and how to mix it all together. And I was getting that through Patti [Smith] - because she takes pictures, performs, writes; she does so many things, and that was a big inspiration to me. It helped me realized that I'm not just a fashion photographer. I wanted to do all these other artistic things as well, and during filming my mind opened up to those possibilities.
Pixie and Dixie just did a drive by on Donald Duck, but they shot and missed and now Bugs Bunny is getting kind of pissed.
How many actors have a shot at being a part of something that became a part of pop culture? It's been very rewarding. I'm not getting the 20 million bucks for the new movies, but at least I'm getting warmth and recognition from people wherever I go.
It's incredible, but I think a lot of people it shot over their heads 'cause they're used to just getting images and messing around with them, and for us to do something quite so 'designed' was a bit of a shock.
If you believe that there’s a heaven and hell and people could be going to hell—or not getting eternal life or whatever—and you think that, well, it’s not really worth telling them this because it would make it socially awkward. . . . How much do you have to hate somebody to not proselytize? How much do you have to hate somebody to believe that everlasting life is possible and not tell them that?
I don't worry about the last shot or the next shot. I concentrate. Every shot gets a clean slate. And when a shot is over, I wipe it out absolutely. Tell a joke or something. If you worry about how you looked, how well you did, you'll go insane.
I don't really have any specific numbers as far as what I want to do, how many touchdowns, how many yards. I just want the film to look good, and hopefully that translates to me having a lot of yards and touchdowns, which ultimately leads to us having a shot at the Super Bowl.
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