A Quote by Joe McNally
Digital technology has thrown a closed shop wide open, and there are more people out there snapping away than ever before. Some of the pictures are bad, some of them are good, and many of them need some seasoning and direction.
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Some like them hot,some like them cold. Some like them when they're not to darn old Some like them fat,some like them lean. Some like them only at sweet sixteen. Some like them dark,some like them light. Some like them in the park,late at night. Some like them fickle,some like them true, But the time I like them is when they're like you
I make a lot of pots in a year's time and some of them are good and some of them are mediocre and some of them are bad. If they're really bad and I'd be ashamed of them, I throw them out, but if they're mediocre and they'll serve the purpose for which they're designed, that is, a mixing bowl or a soup bowl or a plate or whatever, I sell them. And this income from the sale of these pots permits me to go on and make other pots. It's even more important now that I've quit teaching, because I do not have a teacher's salary to fall back on.
Everybody has anger or regret in them one way or another. They all try different things to get it out. Some people go to psychiatrists. Some paint pictures. Some people talk it out.
Anyone can take pictures. What's difficult is thinking about them, organizing them, and trying to use them in some way so that some meaning can be constructed out of them. That's really where the work of the artist begins.
It's possible to think of photography as an act of editing, a matter of where you put your rectangle pull it out or take it away. Sometimes people ask me about films, cameras and development times in order to find out how to do landscape photography. The first thing I do in landscape photography is go out there and talk to the land - form a relationship, ask permission, it's not about going out there like some paparazzi with a Leica and snapping a few pictures, before running off to print them.
If I've learnt one thing, it's that I need to surround myself with people who want to know the real Pete Wentz, not some myth they've concocted from a bunch of press clippings. I can open the door a centimetre wide, and some people think I'm showing them the whole room. But all they're getting is a glimpse. That's all I want to show most people.
I have got closer to some of the guys through Twitter. I don't need to name names but I have found I have more of a connection with some players than I did before - not to say that I wasn't friends with them anyway but just that I'm better friends with them now.
My job is to put as many ideas out there as possible every day. Some of them will get traction, some won't - some of them shouldn't.
All cultures are different. Some commit genocide. Some are uniquely peaceful. Some frequent bathhouses in groups. Some don't show each other the soles of their shoes or like pictures taken of them. Some have enormous hunting festivals or annual stretches when nobody speaks. Some don't use electricity.
The English, of all ranks and classes, are at bottom, in all their feelings, aristocrats. They have some concept of liberty, and set some value on it, but the very idea of equality is strange and offensive to them. They do not dislike to have many people above them as long as they have some below them.
I can make films. And some of them come out good, and some of them come out better, and some of them come out worse. But I've been very lucky over the years to be able to sustain the length of career that I've had.
I think there's nothing new going on. Except that, you're even more public than you've ever been.There's some good and some bad to that.
My dad always said he wanted to be remembered for his body of work, and he's made more than 75 pictures, some good, some bad, and they will be his legacy to the world of acting.
Everybody is bound by some social rules. But I think that artists need some kind of freedom to explore their minds and that some of them tend to take that freedom to live a little more openly or a little more dangerously, sometimes a lot more self-destructively, than other people.
I've lost a bunch of friends - some of them in jail, some of them made bad choices, some of them aren't where they should be.
No woman or man is any one thing and the men in my stories, well, some of them are good and some of them are terrible, and most of them make the lives of the women they love much harder than need be. Why? Because that's the kind of storytelling I was drawn to when I wrote these stories, most of which are at least seven years or more old.
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