A Quote by Joe Morton
Hollywood, it seems, recognizes black film and black filmmakers, but like a distant lover, never close enough or long enough to forge a meaningful relationship.
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'Black film,' unless it's lucky enough or creative enough, or timely enough to build a life of its own, hangs subjacent to 'white film' on Hollywood's financial score board... aided and abetted by the supposition that so-called black film has no foreign market.
It's great to be black in Hollywood. When a black actor does something, it seems new and different just by virtue of the fact that he's black.
Growing up, I was confused about my identity: I felt like I wasn't black enough to be black, but not white enough to be white.
America has a black president, but there are no black studio heads, and there just aren't that many black people working anywhere on film sets, let alone in positions of power in Hollywood. That's what needs to change.
I'm black and white, so either, sometimes, you're not considered by the breakdown of the script: you're not 'black enough' for this role. Or you're not 'white enough' for this role. Or, like, looking up to people, who do I identify with? And not seeing Barbies that maybe look like me.
When 'Raw Like Sushi' came out in the U.S., I wasn't considered to be black enough. They didn't really know where to put me. The music wasn't 'black black' sounding. It wasn't R&B; it wasn't straight up hip-hop, although obviously in that dimension and world.
I dreamt that I could paint you with words, but there were no colors bright enough, black or white enough, blue or green enough...they didn't mean enough
Teaching Black Studies, I find that students are quick to label a black person who has grown up in a predominantly white setting and attended similar schools as "not black enough." ...Our concept of black experience has been too narrow and constricting.
I didn't start out thinking that I could ever make films. I started out being a film lover, loving films, and wanting to have a job that put me close to them and close to filmmakers and close to film sets.
I am not a Republican, nor a Democrat, nor an American, and got sense enough to know it. I am one of the 22 million black victims of the Democrats, and one of the 22 million black victims of the Republicans, and one of the 22 million black victims of Americanism... You and I have never seen democracy; all we've seen is hypocracy... If you go to jail, so what? If you're black, you were born in jail. If you're black, you were born in jail, in the North as well as the South. Stop talking about the South. Long as you south of the Canadian border, you're south.
White people scare the crap out of me. I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord, never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say, 'We're going to eliminate ten thousand jobs here - have a nice day!'
It seems like there's never enough famous white people among comic in Hollywood.
Prescription for Life-long Happiness: Purpose enough for satisfaction; Work enough for sustenance; Sanity enough to know when to play and rest; Wealth enough for basic needs; Affection enough to like many and love a few; Self-respect enough to love yourself; Charity enough to give to others in need; Courage enough to face difficulties; Creativity enough to solve problems; Humor enough to laugh at will; Hope enough to expect an interesting tomorrow; Gratitude enough to appreciate what you have; Health enough to enjoy life for all its worth.
I, however, like black. It is a color that makes me comfortable and the color with which I have the most experience. In the darkest darkness, all is black. In the deepest hole, all is black. In the terror of my Addicted mind, all is black. In the empty periods of my lost memory, all is black. I like black, goddammit, and I am going to give it its due.
Like for 'Black Nails,' I just had black nails - and I never have black nails. It was my first and last time getting black nails. And that's so not normal for me. So when you're recording, you're up at the mic and you gotta name the file, so I just look down and I'm like, 'Black Nails!' That's literally what it was.
It's not enough even to have one black Barbie... because black women are not a monolith.
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