A Quote by Joe Morton
I want to put something on the screen that audiences have never seen black actors do before, roles that will widen views of who African-Americans are.
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Garrel has succeeded in filming something we have never seen before: the faces of actors in silent films during those moments when the black intertitles, with their paltry, illuminated words, filled the screen.
The fact that there aren't an abundance of African-American males that are getting lead roles [and] that are getting roles that have prominence on the big screen. [It's] the same thing from behind the camera; maybe even worse. Coming up, when you're black and you want to direct somebody says, "Oh, you're Spike Lee" or "You're John Singleton."
In L.A., I was a talent manager for many years. I represented many African-American actors. After a while, I became disheartened over the shortage of roles for African Americans.
I just want to make sure that I'm taking roles that are positive, real, honest reflections of African-Americans because I do think the media can put African-American women in the background. Then, unfortunately, what happens is, subconsciously, our culture begins to assess that as reality.
Audiences crave something they've never seen before. That's what they want. They want to be dazzled. They want to go in either to have their expectations blown out of the water, or have no expectations and are dazzled by the decisions that we filmmakers made.
I think one of the reasons younger people don't like older films, films made say before the '60s, is that they've never seen them on a big screen, ever. If you don't see a film on a big screen, you haven't really seen it. You've seen a version of it, but you haven't seen it. That's my feeling, but I'm old-fashioned.
Until 'Moonlight,' I had never seen one black man cook for another on screen. But I wanted the characters to be free of 'groundbreaking' or 'never before.' We were ascribed those things. They weren't the point.
I sat down with CBS, and we talked about me developing a show for them. At the time, I was meeting with a lot of networks. And I told them, 'I don't want to be acting on your show as the token black guy. I want to do something that will change a network and will change the way people view African-Americans on TV.'
To put it simply, as a black man, I started watching films at the age of six, and I've since seen the bad guys changing race - between the African savages, to the Native Americans, and then the blacks and the Arabs and the Chinese and the Vietnamese. Look at 'Rambo': it's exactly that.
It saddens me that African Americans - when they express their pain, when they protest about police violence, when they question inequality, when they raise issues of bondage and discrimination - African Americans are seen as not patriotic.
African-Americans are not a monolithic group. So, we tend to talk about the black community, the black culture, the African-American television viewing audience, but there are just as many facets of us as there are other cultures.
I have always drawn strength from my late mother's life. When Eunice Johnson set up the first major fashion show for African-American audiences more than 50 years ago, she did so at a time when black Americans, especially black women, were still fighting for a seat at the table - any table.
Try not to take pictures which simply show what something looks like. By the way you put the elements of an image together in a frame show us something we have never seen before and will never see again.
Obama was elected in a flourish of promise that many in the African-American community believed would help not only to symbolize African-American progress since the Civil War and Civil Rights Acts but that his presidency would result in doors opening in the halls of power as had never been seen before by black America.
One of the things that made the Black Muslim movement grow was its emphasis upon things African. This was the secret to the growth of the Black Muslim movement. African blood, African origin, African culture, African ties. And you'd be surprised - we discovered that deep within the subconscious of the black man in this country, he is still more African than he is American.
I am very proud to be African. I want to defend African people, and I want to show to the world that African players can be as good as the Europeans and South Americans.
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