A Quote by Joe Morton

Is it racist to prefer country music over the blues? Or is it simply a classic case of tribal antipathy toward the unfamiliar, in favor of gravitating to what you know?
From folk to tribal to Cab Calloway, Cole Porter, Gershwin to the Rolling Stones, whose first record was all covers, to country-western, bebop, blues, and even the referencing in classic hip hop to cliched love ballads of the '80s or whatever - that is kinda gone, and that's just terrifying to me.
A lot of my music is very roots-oriented, and that's country and soul. I've been in every roadhouse in the South, soaking in all of that... Nashville is like a second home to me, and I'm just gravitating toward the songs.
Russia and [Vladimir] Putin`s antipathy toward Hillary Clinton from her time as secretary of state, Russia`s antipathy and loathing and fear of the U.S. State Department in general, those two - those things that we know about Russia they put a worrying cast over how successfully the new administration here has hollowed out and emptied out the U.S. State Department in just the few weeks since then been in charge.
My tastes in music tend to favor anything my kids don't like, out of natural antipathy amplified by a sort of malicious glee.
I like all the kinds of music I've been into. I'm certainly not a purist in that I will only play country licks in a country song or blues licks in blues stuff. The thing I would like to be able to do is to make the music sound right no matter what it is. If somebody else wants to have a label for it, then that's their business.
I listen to all those kinds of music, from classic soul to hip-hop to Brazilian music to, you know, jazz to indie to alternative. So whatever. I listen to all if it. Classic rock and classic pop, all of that.
I've definitely received a lot of support in Nashville; it's a huge music town. I like country music. Like any genre I'm largely unfamiliar with, there are elements I really enjoy and elements that go over my head.
Country music, like rock or blues, can move over into a lot of different areas.
I think of rock 'n' roll as a combination of country blues and swing band music, not Chicago blues, and modern pop.
We have that storytelling history in country and bluegrass and old time and folk music, blues - all those things that combine to make up the genre. It was probably storytelling before it was songwriting, as far as country music is concerned. It's fun to be a part of that and tip the hat to that. You know, and keep that tradition alive.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
For me, jazz, R&B, jump swing, Chicago blues, country blues, early hillbilly music, and honky tonk all stem from the same source
Skiffle was blues featuring a washboard and acoustic instruments. It encompassed blues, with elements of folk, jazz, and, at times, American country-and-western music.
I know this in a way from my police background: the second you mention, "The system's racist," one-third of the country simply puts down the book and says, "Oh, it's one of those guys."
I love the blues. I love rock. I love classic rock. I love country. All types of music I can appreciate.
Bill Monroe spoke of bringing 'ancient tones' into his music with echoes of British and Irish fiddle and bagpipe music, while also delving deeply into American blues, gospel, folk hymnody, and hill country dance music. To that gumbo, he added the invigorating rhythms and harmonies of hot jazz. It was a new kind of American music, named in honor of his band The Blue Grass Boys to be known, simply, as bluegrass.
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