A Quote by Joe Morton
When I first saw Dick Gregory on television, growing up in Queens, it was startling and amazing, because nobody else was doing what he was doing.
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I went to this boy's choir school when I was growing up, and I think that the first time that I consciously started making music was when this one kid joined our class. He was an amazing pianist and would come up with all these ideas. I've always had a really competitive side, so I saw him doing that, and was like, "I have to try writing songs as well."
I've really dreamed of doing television. All of us do television, coming up. But when I was coming up, television was a black hole for actors. Now, television has a certain cache. Now everybody wants to be on TV because they're doing adult dramas. If you're an actor, it's like, "Well, get me on television," because it's the only place you can do it and also make a living at it. If my kids need shoes, I better do a TV show because I damn sure don't make any money with independent films.
The reality that we were growing up in was very young and vibrant, and nobody was capturing that part of India. I started to backpack after getting out of college. I hiked and did a lot of things nobody was capturing in art at all in India, so I wrote my first novel. It was a very, trippy, experience-filled novel, and it ended up doing very well in India because nobody was writing about that at that point.
It was amazing for me growing up in the musical decade of the '60s. I saw The Beatles on television and went out and bought an electric guitar.
I thought I'd be doing theater, really. That's all I had experience with growing up. I mean, I saw movies and television, but I don't think I really connected at a young age that that was acting, that that was part of the profession.
I just don't really listen to music. I'm probably missing out, but I don't want to know what everybody else is doing. Nobody is strong enough to not be influenced. And I don't mean influenced by copying - I'd be influenced because I wouldn't want to do what someone else is doing. I want to be able to do whatever I feel like doing and not worry about anything.
I started doing more theatre because I love that and I ended up doing television. I ended up doing it.
For so long, it felt like I was doing great things that nobody was seeing. Now to be featured on television, doing the things I was doing and being able to be seen on a worldwide scale, it was huge.
It's not that hard to be good, you can be good off raw talent. But I feel like it's that extra step, doing work and putting a body of work in and doing things when nobody else is watching. When nobody else is telling you to do it, you're pushing yourself to do it.
But you're almost eighteen. You're old enough. Everyone else is doing it. And next year someone is going to say to someone else 'but you're only sixteen, everyone else is doing it' Or one day someone will tell your daughter that she's only thirteen and everyone else is doing it. I don't want to do it because everyone else is doing it.
I know how I felt when I saw things like 'Fame' on television when I was growing up and how that was an exceptional magnet for me to want to explore the theater. I can only assume that 'Smash' is doing that for anyone who is halfway interested in theater already.
You don't really have time to do other than what's written. It's very rigid. Shows have a certain rhythm that nobody wants disturbed. So a lot of that doesn't take place on television, at least the television I was doing at the time when I first started.
My first job was television. I got to where I wanted to go, but through a little bit of a detour. When I first started working in film and television, I hated myself - I didn't like what I was doing at all. All I could think of was, 'I'm overacting. Be smaller.' I started to do that, but that was not fun. I felt confined doing film and TV.
I thought I'd be wasting my time to go to commercial record companies and make demos for them, because don't forget, I was doing what I was doing and nobody understood what I was doing.
Television can become a bit of a treadmill for directors. You come in, nobody knows you, the actors are already doing what they're doing, and you're just one of a number of directors who comes in.
With great difficulty, I persuaded my dentist to saw one of my teeth level with the others. He thought it might kill the tooth, but it didn't. I wanted it done because I was doing a lot of television with food and I saw myself eating with these horrible crooked teeth.
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