A Quote by Joe Pantoliano

When we were making The Fugitive, we all thought it was going to bomb. — © Joe Pantoliano
When we were making The Fugitive, we all thought it was going to bomb.
When I was 18, I went to the Soviet Union. I kept hearing that America was planning to bomb them - lots of bombs were going to come down on these people. I went there not knowing anything, except that I thought the whole thing was stupid and that I wanted to see who these people were that we were going to bomb.
Fugitive slaves were rare then, and as a fugitive slave lecturer, I had the advantage of being the first one out.
I was doing political cartoons and getting angry to the point where I felt I was going to have to start making and throwing bombs. I thought I was probably a better cartoonist than a bomb maker.
I would say that I was absolutely convinced of the possibility of our making an uranium engine, but I never thought that we would make a bomb; and at the bottom of my heart, I was really glad that it was to be an engine and not a bomb.
The Nazis entered this war under the rather childish delusion that they were going to bomb everyone else, and nobody was going to bomb them. At Rotterdam, London, Warsaw, and half a hundred other places, they put their rather naive theory into operation. They sowed the wind, and now they are going to reap the whirlwind.
You can never predict what an audience is going to respond to and what they're going to watch. What we always knew was that we were making something that we were proud of and that we thought was important, and we hoped that people would feel the same way.
You know that old Beach Boys song, Bomb Iran? Bomb bomb bomb, bomb bomb Iran.
I knew that I'd lived in New York too long when, a few years ago, I was on a subway going downtown, and it stopped at 14th Street. At the station, the doors opened, and the conductor announced that there was a bomb on board and we should evacuate immediately. Nobody moved. We just looked at each other, 'Do you see a bomb?' 'I don't see a bomb.' 'There's no bomb.' 'I've only got two stops - let's go for it.
After we finished 'Toy Story 2,' we talked about going right into making 'Toy Story 3,' because we had an idea that we thought had some promise. But there were a bunch of boring contractual problems going on between Disney and Pixar at the time that kept us from making the movie.
It was a game we should have won. We lost it because we thought we were going to win it. But then again, I thought that there was no way we were going to get a result there.
I think they got it wrong with Saddam Hussein. They thought he had the A-Bomb. Instead he had a bomb.
He felt as though his heart were a bomb, a complicated bomb that would result in a simple explosion, wrecking the world without rocking it.
Dropping of the atomic bomb was the main subject of conversation for many years and so people had very strong feelings about it on both sides and people who thought it was the greatest thing they'd ever done and people who thought it was just an unpleasant job and people who thought they should have never done it at all, so there were opinions of all kinds.
During the entire process of making this film I never thought about whom I was making it for. I always thought that the film was for me, but I didn't think of any of that. I just did what I thought I had to do. I didn't think, "This is what children are going to think" or "This is what adults will understand."
Some people thought we were presenting Archie as a false character. President Nixon thought we were making a fool out of a good man.
I couldn't live with myself if I thought that these big strategic choices for my generation were there, and I wasn't even making them - or I was making them according to what was expedient rather than what I actually thought was right.
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