A Quote by Joe Pantoliano
Who owns the NY Post? 20th Century Fox. Talk about vertical integration.
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I came to 20th Century Fox to do movies, and then they started a network, and they asked me to do a show as part of their starting what became the Fox network.
We are not post-racial. And in many ways we don't even know how to have a conversation about being post-racial. Until we get out of that old-school way of thinking about race and opportunity and the ability to transcend some of the past of this country, then we're going to be stuck in the 20th-century conversation about race.
I met Harry Thomason when I signed on with 20th Century Fox in 1985.
D-Day represents the greatest achievement of the american people and system in the 20th century. It was the pivot point of the 20th century. It was the day on which the decision was made as to who was going to rule in this world in the second half of the 20th century. Is it going to be Nazism, is it going to be communism, or are the democracies going to prevail?
I don't do much acting anymore anyway, and not to work for 20th Century Fox is really the least of my worries.
The ideas of [ Le Corbusier ] that actually found their way into practice were deeply destructive - for instance, the tower-in-a-park, which mutated into the vertical slums of the late 20th century.
The 19th century was a century of empires, the 20th century was a century of nation states. The 21st century will be a century of cities.
The 20th century taught us how far unbridled evil can and will go when the world fails to confront it. It is time that we heed the lessons of the 20th century and stand up to these murderers. It is time that we end genocide in the 21st century.
It's fun to sentimentalize the 20th-century lifestyle and the 20th-century brain, but it helps nobody, it makes you look ancient, there's no going back, and you'd be miserable if you did.
The different American experience of the 20th Century is crucial because the lesson of the century for Europe, which essentially is that the human condition is tragic, led it to have a build a welfare system and a set of laws and social arrangements that are more prophylactic than idealistic. It's not about building perfect futures; it's about preventing terrible pasts. I think that is something that Europeans in the second half of the 20th century knew in their bones and Americans never did, and it's one of the big differences between the two Western cultures.
The whole idea behind virtual integration is that it lets you meet customers' needs faster and more efficiently than any other model. With vertical integration, you can be an efficient producer - as long as the world isn't changing very much.
When I left 20th Century-Fox to freelance, my agent believed that getting big money was the way to establish real importance in our industry.
Hip hop started in NY so it's important that New Yorkers realise that to talk about NY music and its sound should not be a small-minded conversation. Music is supposed to evolve. It's supposed to be going through changes, it's not supposed to sound exactly the same as what it did when it started. NY hip hop has to be allowed to move on and grow and expand.
Which to this day is a source of enormous guilt, because I left with three classes to go in the business school to sign a contract with 20th Century Fox.
There's a sort of eternal, indefinable 20th century quality to 'BTAS.' We never really pegged the decade, but it's anytime in the 20th century, so I often harkened back to things from the '40s or '50s.
I was really interested in 20th century communalism and alternative communities, the boom of communes in the 60s and 70s. That led me back to the 19th century. I was shocked to find what I would describe as far more utopian ideas in the 19th century than in the 20th century. Not only were the ideas so extreme, but surprising people were adopting them.
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