A Quote by Joe Pantoliano
In private some critics have come up to me afterwards and told me they honestly enjoyed the movie. Then they'd tell me that they're still going to have to write it up negatively.
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Growing up, everybody told me I was good. I was playing ping-pong with my father, and he'd say, 'That's a good shot,' but I'd mess up the next one, and I'd yell, 'Don't tell me that! I'll mess up! Just don't say anything!' You know, if someone says, 'You can't do that,' then I'm going to be, 'Yeah, you watch me.'
People come up to me and tell me how I changed their life and I've inspired them. And they tell me their stories, and that keeps me going.
Characters simply come and find me. They sit down, I offer them a coffee. They tell me their story and then they almost always leave. When a character, after drinking some coffee and briefly telling her story, wants dinner and then a place to sleep and then breakfast and so on, for me the time has come to write the novel.
If you didn't talk to me to write something, you're just making stuff up. You're going by what you think, what you're assuming. I leave it at that. Read it. Believe what you want. But at the end of the day, if you've got a real question, then just come up and ask me, and see who I am as a person.
When I did Sean Penn’s movie, I think I was living in, like, a $500-a-month room, and someone called me up or bumped into me and asked me if I’d come up to work for a day. That sort of got me going a little bit. But it wasn’t until Sin City [2005] that I kind of got back into the game.
If I say something honestly, generally, I am being completely honest and don't tell me I am lying. It drives me crazy to be told I set up my pictures. How does it benefit me to lie? I guess they are afraid to believe it and are afraid to look at it.
Journalists told me that a talk show wouldn't work. Some told me I was going to get canceled before my first season was up.
When guys like Mark Henry, Paul Heyman, and Booker T all come up to me and tell me how much they appreciate my work and give me feedback on what to do better and how to improve myself it's honestly just scary.
Still, these days when I daydream about the movie, I don't think about the big picture. It's more fun for me to think of little things that would add to the movie. I like to think the powers that be would let me amuse myself with some small things in order to shut me up while they re-write the screenplay to turn Kvothe into a lesbian, shape-changing unicorn.
A movie's a movie - you know I'm a massive old film buff - but it's still something to me, music: I can still close my eyes like I was when I was a teenager, and it can still make me weep or make me angry or make me, even if it's bad music, crack up.
I have great fans that come up to me, and they just want me to sign stuff. I have a restaurant in Beverly Hills - Prego - and they come in all the time asking for me to see when I'm going to show up. That doesn't really scare me.
Nobody told me there was any idea for a sequel to 'The Exorcist.' But my agent called me to tell me they were going to do it, and there was a part for me. I said, 'But I died in the first film.' 'Well,' he told me, 'this is from the early days of Father Merrin's life.' I told him I just didn't want to do it again.
Fans always come up to me and tell me that we started the women's revolution. I'm so happy when people come up to me and say that.
I'm just confused. I can't read your signals. One moment you're hot, the next you're cold. You tell me you want me, you tell me you don't. If you picked one, that'd be fine, but you keep making me think one thing and then you end up going in a completely different direction. Not just now—all the time.
...they told me of color, that it was an illusion of the eye, an event in the perceiver's mind, not in the object; they told me that color had no reality; indeed, they told me that color did not inhere in a physical body any more than pain was in a needle. And then they imprisoned me in darkness; and though there was no color there, I still was black, and they still were white; and for that, they bound and gagged me.
When I was younger, coming up in this industry, I was 17, 18 years old. You couldn't tell me Beyonce wasn't my friend. You couldn't tell me that Janet Jackson wasn't my girl. You couldn't tell me that once I signed to my label that me and J.Lo weren't going to have tea in L.A.
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