A Quote by Joe Penny

Most of the time I play heroes, guys who don't have an edge. — © Joe Penny
Most of the time I play heroes, guys who don't have an edge.

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I find actors who play nasty guys in movies are the nicest guys in real life, and the opposite then goes for heroes.
Heroes? Vietnam Vets are heroes. The guys who tried to rescuse our hostages in Iran are heroes. I'm just a hockey player.
We play with guys who don't care who scores the most, who rebounds the most... We play with guys who genuinely want to win.
The success I had as a player, or the career I had as a player, is often based on the guys you play beside, the guys you play with. Playing on the offensive line, you're only as good as your weakest guy up front. I was blessed to play with a lot of guys for a long time.
A lot of guys in New York will only play with an edge. They find their groove and that's their groove. to me, once I do that, there's no point in playing anymore because it should always be a mystery. Depending on who you are playing with, there are hundreds of ways of playing. I think that a master can play all those different kinds of time.
What I meant by that is, any time you have adversity, now you've got a chance to see all of these guys play every game the rest of the way like it's a playoff game. What you want guys to do when there's adversity is to play harder and play better, and that's when you see what kind of guys you have in your locker room.
We start off wearing frilly shirts and britches and being good guys and the heroes. And then as time goes on, every English actor ends up playing bad guys. That's what we do.
The myth of Good Guys and Bad Guys is one of the most pervasive we own, and morally grey anti-heroes are simply one of modern fiction's attempts to shake off that mythology and replace it with something a bit more honest.
It's harder to play drums than guitar, physically. I'm always kind of on the edge. I guess that's how I play everything: on the edge of my ability.
In the 1950s and 1960s, the heroes were the long-term investors; today the heroes are the wise guys.
I think most actors probably enjoy playing the bad guy. I think it's the fact that most of the time, heroes aren't written with enough interesting qualities or flaws, and that leads to the bad guys being almost the runaway train, as far as being more interesting for the audience to watch.
I've made a career writing about fictitious anti-heroes. To create these worlds, I've spent a lot of time with active members on both sides of the law. And if I had to pick the most interesting of the two, the choice is obvious - we all love the guys in black.
At one time, especially during the era of action heroes, women took a bit of a secondary role because heroes were doing most of the action.
You play with guys who are big-name guys, and you grow up watching them and it's fun to play with those guys.
It's an interesting thing to play the heroes of our society, like cops and firefighters. They're the basic heroes that, as little boys and little girls, you look up to as the first heroes of your small, specific community.
I was raised by two actors in a moment in time - the Seventies - when there was no judgment of characters, no heroes and bad guys.
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