A Quote by Joe Perry
It's probably listening to country music that got me to start playing a lot cleaner, not as distorted.
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If you got in my truck, you were listening to country music, and that's the way it was for a long time. I'm a little more open to other sources of music now, a lot more. But for the formative years, I was just very into country.
I tended to listen to doo-wop, but my grandmother would always have the radio on all day and she'd start with Yiddish and then move on to gospel and later to "make believe" ballroom music. I got to hear all kinds of music and my mother would get up to go to work listening to country music. That was her alarm clock. My dad was a jazz lover and listened to the man who wrote "Misty", Errol Garner. He loved piano players, so I got to listen to that as well.
My grandmother loved country music, and she's the one who really got me into country music. She had George Strait tapes, a bunch of them. I remember listening to tapes, taking them out, the covers and the back.
When I'm in writing mode I tend not to listen to music. I usually have a gestation period before I start writing. When I'm listening, it usually happens on the road. So, we'd been listening to a lot of music on tour the year before and all that stuff sank in.
I don't think I ever heard music playing when I was younger, other than the radio. My parents got me a Walkman and stuff like that, but I was always way more into listening to music than they were.
I was listening to country at the time too, mostly because when I was a kid growing up in the country, all my friends would listen to the CMT crap and I really hated it. That would make me really angry. But when I got older I started discovering that there was actually good country music that could sort of take me back to my roots.
I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.
In terms of exploring an identity in the country music world, what I realized very quickly was that there are people who have been performing country music since they were kids. It's very much a part of who they are; very much that jazz and blues are a part of who I am, because I grew up listening to and playing that kind of music.
It's all about the music. For me, that's truly what I live for. Just music constantly. Always listening to, writing, or playing music. That's definitely me.
Everything I do, I'm always playing music. When I wake up in the morning, I'm playing music. When I'm showering, I've got music playing. When I go to the field, music is playing.
It's too bad music can't be like movies. For me, playing music and listening to music and creating music is very environmental. It creates a certain environment; it sets a specific mood.
I grew up listening to a lot of Ray Charles and '60s rock, thanks to my father, and then my brothers got me in to KISS and whatnot, so I guess that's where I got my first taste for music.
I was interested in a whole range of music that I used to play, popular music -- particularly American music -- that I heard a lot of when I was a teenager," "I think at a certain point it dawned on me that myself playing this music wasn't very convincing. It was more convincing when we played music that came from our own stock of tradition. ... I certainly feel a lot more comfortable playing so-called Celtic music.
I guess I wanted to emulate the artists that my parents were listening to when I was growing up. I've always had this affinity for folk music, and music in general, for as long as I can remember. So as soon as I could start playing shows, I did. And my parents were really supportive of me the entire time.
If it wasn't for Kenny Rogers, I don't think I would be in country music. He was that guy when I was a kid - his music and 'Hee Haw' made me perk my ears up and made me say, 'What is this? I want to hear more of that.' He was that catalyst for me to start this whole run in country music.
I was always playing with whatever I could get under my hands, making rhythm with it, which was natural for me, because my parents were listening to a lot of African music.
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