A Quote by Joe Perry
I've come to realize that you live on through recordings; they're like a musical diary, a window into somebody's soul.
Related Quotes
Prose is like a window; fiction is like a door. But it is not uncommon that he who should come in through the door jumps in through the window.
The way of peace is a soul journey. . . . If you can live from the level of your soul, you are doing something very special. The important thing is how much consciousness you add to the whole of human existence, for that is how eternity expresses itself, like a lamp shining through the window of eternity.
There is a definite difference between live shows and the recordings. The recordings are for all time, hopefully, so you do want to bring across layers of subtlety. But the live show is this primal experience that everybody's having at the same time, that the recording can at best try to imitate or duplicate.
Writing for yourself is like exposing your diary. It can be a little embarrassing at times, but if it helps somebody get through the day just by hearing a song, it's well worth it.
If I were a carpenter, I would build you a window to my soul. But I would leave that window shut and locked, so that every time you tried to look through it all you would see is your own reflection. You would see that my soul is a reflection of you.
If I was singing like somebody else, then it was almost like I was expressing myself like somebody else. So it was always a very original thing for me. It's my voice, it's my diary, it's the way I connect with people.
One of the greatest live recordings, I think, in the history of the world is Ray Charles in Atlanta... And they didn't even have a big mobile recording thing set up. The word on the street was they only had like two microphones, one for the band and one for him. Perfect recordings. I think it's mono.
I always kept a diary - not a diary like, 'Dear Diary, we got up at 5 A.M., and I wore the weird hair again and that white dress! Hi-yeee!' I'd just write.
How can we know ourselves by ourselves? . . . Soul needs intimate connection, not only to individuate, but simply to live. For this we need relationships of the profoundest kind through which we can realize ourselves, where self-revelation is possible, where interest in and love for soul is paramount.
Fame it's like... When you look through a window, say you pass a little pub, or an inn. You look through the window and you see people talking and carrying on. You,can watch outside the window and see them all being very real with each other. But when you walk into the room, it's over. I don't pay any attention to it.
Don't try to sneak in through the window. Just come boldly onto stage, like come right through the door with your choice. Kill the judge in your head and just take action.
I love the idea of a tiny window between the back stoop and the pantry, where the milkman would pass through the cheese. But of course, there is no milkman anymore. So somebody coming by the house and seeing the window would say, 'Oh, that must be original, because that's where the milkman passed the cheese through to the pantry.'
The human soul doesn't want to be fixed, it simply wants to be seen and heard. The soul is like a wild animal - tough, resilient and shy. When we go crashing through the woods shouting for it to come out so we can help it, the soul will stay in hiding. But if we are willing to sit quietly and wait for a while, the soul may show itself.
You will never realize your best destiny through the avoidance of fear.
Rather, you will realize it through the exercise of courage, which
means taking whatever action is most liberating to the soul, even when
you are afraid.
You live in an apartment in New York, and you think all the time about like, 'I don't even know who's living above me.' There are all these anonymous people in that window or that window or that window, and everybody has their own interesting life that I know nothing about.
...the long train ride was like traveling through limbo. You weren't anywhere when you were on a train, she decided. You weren't where you had been, and you weren't yet where you were going. You were nowhere. It might be beautiful outside the window-and it was, she had sense enough to realize that-but it wasn't anywhere to her, just a scene passing by that was framed by the train window. (p160)
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