A Quote by Joe Perry

Maybe you could put it out there that I don't have a built-in dislike of ballads. That was kind of the reputation I had back in the Seventies. But I've come around. Ballads have become something of an acquired taste.
From all the years that I've been in the business, you know that ballads are what impact. Mid-tempos are great, you can sell some records on 'em, but when it comes down to it, ballads are the meat-and-potatoes on the album.
My favorite type of music to sing is definitely those big ballads, I just love doing those power ballads.
I dated someone in the '90s who was really into Metallica, and I remember thinking at the time, 'That just sounds so heavy and hard.' But they have great ballads! Great ballads.
The Border Ballads, for instance, and the Robin Hood Ballads, clearly suppose a state of society which is nothing but a very circumscribed and not very important heroic age.
You know why I quit playing ballads? Cause I love playing ballads.
We had always put ballads on all of our albums.
I think that ballads are always something where I can really become one with the audiance.
When power ballads come back, we'll get big hair again.
And when power ballads come back, we'll get big hair again.
I don't know how my mom put up with us. We'd walk around school in torn jeans, put on this punk-rock image and sing ballads everywhere we went.
The British ballads became a new kind of form in their hand. And out of them came the blues, a new kind of song of commentary and satire, a song form which, after all, has become the main musical form of the whole human species.
There are a lot of murder ballads out there, but most of them are about killing the woman. I was like, "We've gotta turn this around!"
I did Bronislaw Kaper's tune. He wrote "On Green Dolphin Street." I mean, I did all those ballads, all them ballads from South America. All those tunes - the guitar concerto on Sketches Of Spain. All those are Spanish melodies. Some of them we made up ourselves.
I think up until the 'Honestly' album it was very much label-company lead, of 'this is a sound that we need, this is what you need to do. You need to do ballads, you need to do a million different types of love songs,' and I hate ballads and I hate love songs.
You can't imagine parlor ballads drifting out of high-rise multi-towered buildings. That kind of music existed in a more timeless state of life.
I'm not somebody that has an encyclopedic knowledge of ballads and could sit around a fire and sing songs for three hours. I basically only know the songs that I've taken on and reworked and recorded.
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