A Quote by Joe Perry
For me, L.A. was, and is, a very creative place to be.
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Cleveland is a really hard place, it's a very creative place, it feeds you creatively, but it's a very hard place to make a living creatively.
The theater, for me, has always been a place where I'm free to be more creative, a place to sharpen my tools.
I like to be in locations that I kind of feel are very creative, that stimulate me in a creative process.
In fact, the very phrase "teaching creative writing" sounds to me oxymoronic. How can you teach someone to be creative?
The world is a very troubled, very chaotic place. It's a very cold place. It's a very unjust and unfair place in many ways. [As a moviemaker] I have very limited ability to have an impact over all that.
People have responded to the pictures I make as mystical things, and they somehow carry the illusion further thinking that the place is this mystical, magical place. The desert is also a very barren place, a very lonely place, a very boring, uneventful place.
I was living in Paris, which is a very beautiful, very wonderful place, but a tight place as a city, a tight place culturally. Its people are very brilliant, thoughtful, the place functions, but it's a historical place in some ways, like a big museum.
I need to be in a stable environment right now in my career. What I mean by that is a place where I can play and not have too much pressure on me and a place I can develop. Monaco wanted me and did whatever they could to get me so I feel very very good about that.
L.A. is such an exotic city to me, and it is just a big bubble. If you accept the bubble and accept how isolated it is. It can be a very creative place, and I find it easy to focus.
Three and a half years in L.A. was enough for me. I would love to go back for short bursts if a film opportunity came up, but it's a unique place, and you can reach saturation point. For me it was a place where creative desire and ambition meets desperation. It's in the air; it's palpable - I just didn't want to be around that.
To me, music shouldn't be ego-driven. When you go out on stage and play songs, it is. But when you're sitting in a room, writing songs, it's a completely different process. It's a completely different place. It's a creative place, a musical place. It has nothing to do with who likes what.
I'm very interested in buildings that have meaning for a particular place. I suppose it feels slightly rude to me if the imposed style that lands in a place is almost stronger than the place. For me it's about inventing a solution for each place; if people then want to know who did it, then great.
I had a fascination with the back side of the business, and the creative process always fascinated me. Vince gave me an opportunity in '98 to sit in the production meetings. He would talk creative with me, and we had this creative rapport.
I am very lucky that I have talented and creative people around me. Also, mediation has been a very big part of my freedom, because it allows me to watch all the things going on and allows me to focus.
I am very lucky that I have talented and creative people around me. Also, meditation has been a very big part of my freedom, because it allows me to watch all the things going on and allows me to focus.
Many creative people are finding that creativity doesn't grow in abundance, it grows from scarcity - the more Lego bricks you have doesn't mean you're going to be more creative; you can be very creative with very few Lego bricks.
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