A Quote by Joe Queenan

Lars is played by Ryan Gosling, the Prince of Tics, whose idea of acting is to wait a few beats before reacting to other people's remarks, as if acting were merely a matter of adhering to the seven-second delay rule. Jack Nicholson has made a career out of doing this sort of thing, as did Paul Newman, as did Marlon Brando (who the other two learned it from), but they didn't do it all the time and they were more fun to look at... Lars And The Real Girl joins a number of other recent films in the category of motion pictures where the director doesn't know that his protagonist is unsympathetic.
Well, I think that's been my career. I always choose stuff that's the same, yet different. These projects just happened. I didn't plan it out that way. I just happened to be free, and the director, Dan Pritzker, decided to do his film again. I say again because we did it seven years ago. A lot of the actors were not available, so he just couldn't wait anymore and he recast everything. Me and two other characters are the only people involved with the new one, who were involved with the previous one.
Lars Sullivan and EC3 are made for the main roster, more so than NXT. Obviously, Lars because he's just freakish in so many ways. But EC3, I look at him, and I look at his mannerisms, his mic skills: he's tailor-made for a good push on the main roster.
Marlon Brando was the absolute opposite of everything they told me he was going to be, which is that he was a testy guy who wants to know that he's in control of everything. But, that's not who Marlon was. No matter what he did, the most important thing on his mind was justice.
But the people I admire have always been people like Marlon Brando, Jack Nicholson and Jack Lemmon.
A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.
I did this scene in 'Lars and the Real Girl' where I was in a room full of old ladies who were knitting, and it was an all-day scene, so they showed me how. It was one of the most relaxing days of my life.
We did 'Jack & Bobby' in the middle of the Kerry/Bush election. It hurt it a little bit. No matter what we did, everyone thought we were advocating for one person over the other. The stuff I work on is more about the people.
A Murphy [Eddie Murphy] movie is like a Sidney Poitier comedy - he's that intensely good... He revolutionized acting. He's literally black Brando. Before Eddie Murphy, there were two schools of acting for a black actor: Either you played it LIKE THIS or youplayeditlahkdis. He was the first black guy in a movie to talk like I am talking right now. That did not exist for black actors before him.
I used to go over to Gene Kelly's house and play volleyball, and Paul Newman and Marlon Brando were always there. You kind of took it for granted because I was 20, 21, 22, and they were a bit older - well, Gene certainly was. But it was just part of daily living. They were in the same profession, and you didn't think that much about it.
I was in a movie with Marlon Brando. Now, I didn't have any scenes with Marlon Brando, but I had scenes with Martin Sheen and was around Dennis Hopper, who was a child actor in the studio system and was enamored of James Dean, as was Martin, and they were all sort of disciples of Brando.
As a kid, I grew up on a farm in Florida, and I did what most little kids do. I played a little baseball, did a few other things like that, but I always had the sense of being an outsider, and it wasn't until I saw pictures in the magazines that a couple other guys skate, I thought, 'Wow, that's for me,' you know?
Jesus doesn’t dominate the other, avoid the other, colonize the other, intimidate the other, demonize the other, or marginalize the other. He incarnates into the other, joins the other in solidarity, protects the other, listens to the other, serves the other, even lays down his life for the other.
I always have a rule that acting is acting and truth is truth and you just go out there and you do it. But what happens in each medium is that you have other responsibilities. The acting remains the same, but each medium dictates assuming other halves to make the acting work.
'Whatever it takes' is my opinion of method acting and, indeed, any other kind of acting. Look at Brando and De Niro. But it's not my cup of tea.
Acting is seductive. It looks so much fun. I did dally with other things. I did pupillage in a law firm, but I didn't like the look of how many files the lawyer I was working with had to take home every night. It looked like a hideous amount of work, when actors were having nice lunches and discussing books.
See, that's the thing about second chances. It's two people that are there for each other and support each other and care about each other no matter how much they want to deny it. It's about one person doing everything they can to make sure the other doesn't fall and vice-versa. Second chances are about holding on to that other persons hand no matter how hard they beg to let go.
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