A Quote by Joe Quirk
Seasteads cost money, and if you want to succeed as a Seastead you have to find ways to attract people to move there. If I was a billionaire I wouldn't want to move to a seastead, but if I was a member of the bottom billion, most of whom want to leave their dysfunctional governments, I might want to move to a seastead.
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You have to move so you don't die. You have to move so your brain doesn't atrophy. You have to move so that you look a little bit like a person that you might want to be. There are a thousand reasons why exercise is important, and I've had to find ways to make it sexy for myself.
You want your assistants to move up. But you want it to be a hard decision. You want them to only be willing to leave if they're walking into a dream situation. You don't want money to ever be a factor.
When you have something that you did so many jobs on and were so front and center on, and then people dislike it, you want to learn lessons from it, and you want to move on, and you want to move on too fast.
I think I want to move forward. I want to move to Brooklyn and find a business Italian guy to take care of me.
Thinking about seasteading requires us to free ourselves of these broad political categories we're stuck with on land. People can make whatever community system they want on a seastead. What emerges will totally defy the broad categories we debate about now.
I love acting. It's way different from singing, but I like really put my ten thousand hours in to be really good. I want to be a premier actor. I want Oscars, I want recognition, and I want to move people just as much as I move people with my music, the same with my acting.
If you want or need to move, move with a winning record of success, move with a plan, and move to something you love.
When you are trying to move mountains you want-and need-people on your side who want to move them with you.
The first seastead happened fifteen centuries ago. The result was the most beautiful city in the world, Venice. People who were sick of their violent governments fled to the water, where they built civilization on stilts. That startup society - a free city-state on the water - became so successful it dominated the Mediterranean for a thousand years.
Seasteads are a technology for anybody to form an alternative community based on their unique values - for communities to organize themselves however they want. Seasteads are their chance to demonstrate their vision can work. All that matters is that people can create, join, and leave seasteads voluntarily. As long as people can choose among seasteads, the best ways of living together will prosper, and the ones that people don't like will fail.
Millennials want to find meaning in their work, and they want to make a difference. They want to be listened to. They want you to understand that they fuse life and work. They want to have a say about how they do their work. They want to be rewarded. They want to be recognized. They want a good relationship with their boss. They want to learn. But most of all, they want to succeed. They want to have fun!
Pace is crucial. Fine writing isn't enough. Writing students can be great at producing a single page of well-crafted prose; what they sometimes lack is the ability to take the reader on a journey, with all the changes of terrain, speed and mood that a long journey involves. Again, I find that looking at films can help. Most novels will want to move close, linger, move back, move on, in pretty cinematic ways.
It's very good for you, riding. You know how every model is like, 'I do yoga.' Well, I find horses to have the same effect, in that you have to put your ego aside and concentrate on making the horse do the things you want it to do, and move in the way you want it to move - particularly if you're doing dressage.
If you want to surf, move to Hawaii. If you like to shop, move to New York. If you like acting and Hollywood, move to California. But if you like college football, move to Texas.
You can't patent a move. It's challenging enough to come up with a move that nobody else does... I try and do things that I would want to see done that I haven't seen other people do. Most wrestlers obviously don't think that way, and instead they steal somebody's move as soon as they've gone on to the next company.
When you move handheld, and the director of photography has the courage to shoot with no lights, the set becomes a space of creativity and freedom where actors can move wherever they want to move.
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