A Quote by Joe R. Lansdale

I think I have broken into the mainstream, and I think that may happen in a broader way, but I want to do it on my own terms, not become a standard producer. — © Joe R. Lansdale
I think I have broken into the mainstream, and I think that may happen in a broader way, but I want to do it on my own terms, not become a standard producer.
Many people think of me as just a riff guitarist, but I think of myself in broader terms. As a musician I think my greatest achievement has been to create unexpected melodies and harmonies within a rock and roll framework. And as a producer I would like to be remembered as someone who was able to sustain a band of unquestionable individual talent, and push it to the forefront during its working career. I think I really captured the best of our output, growth, change and maturity on tape - the multifaceted gem that is Led Zeppelin.
If you want to become a mother, you can. I promise. It may not happen the way you think, but it's possible. It just takes a combination of a little planning and a lot of living your life.
I think my music covers a broader sound than just 'Tropical House'... My goal is to simply be a great producer in my own right without being pigeonholed.
I think a way to behave is to think not in terms of representative government, not in terms of voting, not in terms of electoral politics, but thinking in terms of organizing social movements, organizing in the work place, organizing in the neighborhood, organizing collectives that can become strong enough to eventually take over - first to become strong enough to resist what has been done to them by authority, and second, later, to become strong enough to actually take over the institutions.
Don't think in terms of comfort; think in terms of freedom. Don't think in terms of safety, think in terms of being more alive. And the only way to be more alive is to live dangerously, is to risk, is to go on an adventure. And the greatest adventure is not going to the moon - the greatest adventure is going to your own innermost core.
I think filmmakers in general are, as the tools become more and more advanced, you're able to tell stories in a way that I think is more realistic. The technology just wasn't there up until pretty recently, and it takes a bit of time for the normal artistic way of approaching something to become a mainstream thing.
The avant-garde theater is fun; it is free-wheeling, bold, iconoclastic, and often wildly, wildly funny. If you will approach it with childlike innocence -- putting your standard responses aside, for they do not apply -- if you will approach it on its own terms, I think you will be in for a liberating surprise. I think you may no longer be content with plays that you can't remember halfway down the block.
I don't want to talk in terms of miracles. I think this is a very serious situation. But I do want to talk in terms of Bush becoming a man of the hour, and I think this is way to do it.
I was on television a couple of years ago and the reporter asked me, "How does it feel being on mainstream media? It's not often poets get on mainstream media." I said, "Well I think you're the dominant media, the dominant culture, but you're not the mainstream media. The mainstream media is still the high culture of intellectuals: writers, readers, editors, librarians, professors, artists, art critics, poets, novelists, and people who think. They are the mainstream culture, even though you may be the dominant culture."
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
I think that, in terms of mainstream storytelling, the rebel gets off way too easy. We're way too hard on the insiders and way too soft on the outsiders.
I think sometimes we get focused, especially in America, on the traditional broadcast networks as establishing something as being sort of mainstream, and I think what we've found over the years is that streaming is mainstream, and it's also way more accessible.
I think we're skating on surfaces. I know it in my own life - and I think that is where this frustration comes in. It's not the place we want to be, but it's the place our society requires that we be. There is no fulfillment there. So we become numbed, we become drugged, we become less than we are. And I think that we know that.
I want young girls to know that their passions are important and that they should pursue them, regardless of whether or not they think that they'll be successful in terms of the mainstream.
I don't want to become an ivory tower filmmaker. That sounds peculiar, but I want to be a mainstream filmmaker. I want the largest possible audience that I can find - but, of course, on my terms.
I really don't think of my work in terms of a genre. I think of it in terms of what I want to say, what I think is cool, and what I'm good at.
This site uses cookies to ensure you get the best experience. More info...
Got it!