A Quote by Joe Robert Cole
Well, TV does a better job. In film, the justification has been that movies focused on stories or featuring people of color don't make money.
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If I give five flops, I won't get a job. You have to perform at the box office when you are at the top. No one is running a charity here. People are putting huge amounts of money to make movies, and they want the films to be successful. They have invested money in you, so it is your duty to make sure the film does well.
If I wanted to do TV full-time, 'Breaking Bad' is definitely the type of project I would want to do. But TV is not my favorite thing in the world. I definitely want to focus on film. It's what I grew up loving. It's always been about movies, movies, movies, movies, movies. I really want to make great films.
I think that sometimes we put undue pressure on stories featuring people of color, and I hope we get to a point where it's not such a rarity to see a person of color be the hero of a story, so that it can just be a story and not have to carry so much weight.
When you're doing a film and the majority of the film is cast black, for me, it's most important to get people to view those movies as just movies, as just good movies. At the end of the day, regardless of the color of the cast, we're all doing the same thing in this business: trying to make a good film.
The model we established was to give creative people complete creative freedom in exchange for betting on themselves, so they work for the minimums you're allowed to work for, and if the movies work in a big way, everyone does very well. If the movies don't, nobody loses too much money. The benefit to doing all the movies low budget is we can tell different types of stories and take creative risks. The Purge would have been irresponsible to do for $20M, but to do it for $3M makes sense.
I have always been drawn to coming-of-age stories and books and movies featuring compelling young characters.
I want to make another film. I want to make a better film about the legendary Babaji, with more close-encounter stories of people who have been with him.
Hollywood used to be run by artists and people who loved artists... people who wanted to make movies for all the right reasons. For the love. The Art. To tell stories. Yes to make money as well, but it was about both. Now I feel, it's mostly about bottom line and making money.
I've done every imaginable job possible out there - movies, TV, animation, TV movies... and, at this point, almost reality, it seems. It's been a real blessing. It's been a great ride.
TV has a longer narrative, and TV's more like short stories. So there's less rules with TV; you can make it a little bit different. [With] movies, the medium has more constraints, so it was just about what stories are the most cinematic and the best resolution.
You want the film to be critically successful - you certainly want the film to be financially successful so that you can...well, because that's how movies like this are made, you know, they need to make money. But as a director, you can only make the movie that you want to make.
My hope is to see people of color in roles that do not emphasize race. Often times when movies are centered around people of color, they are movies where the storyline is based on some racial component. I want to see movies where people of color play more interesting, nuanced characters.
I have always been focused on my job. No profession allows you the luxury of being half-focused. If you're not into it, you're not there. And the film industry is all the more harsh in these cases, perhaps because it's a business of the limelight.
I think we need to have stories about women that don't necessarily fit the trope of the classic woman, because they do exist. We have to show real life on TV and film. And we don't. We only see maybe 5 percent of what real people are really like. I mean, movies set in Los Angeles that don't have any minorities in them - how does that happen?
Yes, I will sign a film for the money. Because sometimes you don't have the money to eat, and you have to get work and maintain a lifestyle. Not just actors - I think everybody does that. No job on this planet is about 100 per cent satisfaction. You do some part of the job for money.
In Europe, where we have all these different forms of financing and cultural funds and systems like that, it's a good mixture of supporting artists to make movies. But, on the other side, everyone still wants to make money making movies. Again, even in the European film business, it's expensive to make movies.
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