A Quote by Joe Rogan
There's a classic story I tell about when I did the Man Show about the retarded conversations that you have with the executive producers and the network.
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My sister is also retarded. Across the board. She's a one hundred per cent, honest to goodness, born that way retard. I learned a long time ago that if you're going to tell a story about your retarded sister, you need to mention she's retarded right off the bat or inevitably, at the end of the story, someone will say, What... is she, retarded? And then you have to go, Uh... yeah, she is. Followed by a lengthy, awkward silence.
Let me tell you about being executive producer. It is not a job, it's a title. Don't go around asking executive producers what they do because they don't do anything, alright?
I'm really trying to just keep this internal, and be faithful to the story and the characters, and keep 99.9% of my brain there, serving the story. It's a great network. It's the golden network of cable, so it's totally an honor to be there and tell this story, but I try not to think about anything beyond that.
It is not about whether you are an executive, a studio or a network. If you have a story or an idea you can build a following for it.
They're pretty particular about what they show. They certainly edit the scripts and have conversations with the writers about what they are and aren't willing to portray. But the writers and the network are pretty much on the same page.
Well, the 'Giuliana & Bill' show is a little bit different because Giuliana and I are the executive producers of the show, so certainly we have a lot of control and we have total, I guess if we wanted to, editing power, but I will say, in the seven seasons we've done the show, we've never used our executive producer powers to cut something out.
The classic story of the Univision network is the mainstream pretends that the network doesn't exist, but then when it comes to sweeps or the ratings, they just have millions and millions more viewers than ABC, Fox, and CBS combined; it's that kind of a success story.
I have two younger brothers, and I know my parents have spoken to them about driving and interacting with police. They didn't have those conversations with me, but they did have conversations about being exceptional black people.
It's all about this abstract entity called the story. It's all about the best way to tell the story, and to make a movie about the issues that this story is about. Filmmaking is storytelling, for me.
God did not create man in his own image. Evidently, it was quite the other way about, which is the painless explanation for the profusion of gods and religions, and the fratricide both between and among faiths, that we see all about us and that has so retarded the development of civilization.
Just about any story we think about doing, whether we've read it in a newspaper, heard it on the radio or come upon it through word of mouth - by the time you get there, every other network, cable station and talk show is already racing to the scene
Just about any story we think about doing, whether we've read it in a newspaper, heard it on the radio or come upon it through word of mouth - by the time you get there, every other network, cable station and talk show is already racing to the scene.
I tell my friends about my conversations with my father - conversations with an artist.
What excites me about picture books is the gap between pictures and words. Sometimes the pictures can tell a slightly different story or tell more about the story, about how someone is thinking or feeling.
You know, I once read a short story about how much you could tell about people from their shoes. You could tell where they had been, what they did, whether they were real walkers.
The director of 500 Days of Summer is doing the Spider-Man movie. That's not necessarily the movies I want to make, but it's all about the story, and if you connect to the story, and you feel you can tell that story better than anyone else, then great. Jon Favreau killed Iron Man, I loved it.
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