A Quote by Joe Rogan

There's a never-ending ocean of techniques out there. — © Joe Rogan
There's a never-ending ocean of techniques out there.
Daybreak is a never-ending glory; getting out of bed is a never ending nuisance.
The first time I took my daughters to the ocean - and I love the ocean but where we swim is very rough, very New England, rip tide, not messing around ocean - and a thought arrived: I was asking my daughters to slowly recognize death, just dip their toes in its fathomless edge, to know it is there, even in the night when we don't see it and that it, in its mystery and largeness, in its terror, is the thing that makes life precious, magnificent and full of never-ending curiosity.
It was the last that remained of a past whose annihilation had not taken place because it was still in a process of annihilation, consuming itself from within, ending at every moment but never ending its ending.
With its onslaught of never-ending choices, never-ending supply of relationships and obligations, the attention economy bulldozes the natural shape of our physical and psychological limits and turns impulses into bad habits.
The best thing I ever bought will always be the next piece of musical equipment. I'm always interested in new techniques and there seems to be a never ending supply of great equipment to play, and to play with. My studio is a bit of a playroom.
It's the same with all the thoughts and feelings and other experiences that arise in the ocean of ourselves. The ocean never resists them, it never creates a negative reference point saying "Damn , that seaweed is still there. There must be something terribly wrong with me". When they arise, the ocean just sees them for what they are and they pass away naturally.
I want an ending that’s satisfying. I’m more of a classical writer than a modernist one in that I want the ending to be coherent and feel like an ending. I don’t like when it just seems to putter out. I mean, life is chaotic enough.
I want an ending that's satisfying. I'm more of a classical writer than a modernist one in that I want the ending to be coherent and feel like an ending. I don't like when it just seems to putter out. I mean, life is chaotic enough.
I've never had an acting lesson. I've never been given techniques. Everything I've done is invented. I just sort of found out [how to do it].
There are four types of oceans. Passions are the ocean of sins, the self (nafs) is the ocean of lust, death is the ocean of life, and the grave is the ocean of distress
Go to the east shore of any of the Hawaiian Islands, and that's a pretty big lesson on how much plastic is ending up in the ocean. Basically, the Hawaiian Islands act as a filter out in the middle of the Pacific.
Everyone seems to think they know what acting techniques are. Techniques just help you get to a certain place, but if the thing is happening just by itself you don't need those techniques.
Everyone seems to think they know what acting techniques are. Techniques just help you get to a certain place, but if the thing is happening just by itself, you don't need those techniques.
You could be the leaf that never falls from the tree you could be the sun that never leaves the sky this might be the happy ending without the ending this might be a reason to try
My love for you has no depth, its boundaries are ever-expanding. My love and my life with you will be a never-ending story. My love with you is never-ending
When the ending finally comes to me, I often have to backtrack and make the beginning point towards that ending. Other times, I know exactly what the ending will be before I begin, like with the story "A Brief Encounter With the Enemy." It was all about the ending - that's what motivated me.
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