A Quote by Joe Rogan

When I first went onstage I even had a suit jacket on with the sleeves rolled up because that's what I saw on TV or at the Improv that everybody did. — © Joe Rogan
When I first went onstage I even had a suit jacket on with the sleeves rolled up because that's what I saw on TV or at the Improv that everybody did.
I saw the suffering and I let myself feel it… I saw the injustice and was compelled to do something about it. I changed from being a nun who only prayed for the suffering world to a woman with my sleeves rolled up, living my prayer.
But when he thought to complain about the burden of its weight, he remembered that, because he had the jacket, he had withstood the cold of the dawn. We have to be prepared for change, he thought, and he was grateful for the jacket's weight and warmth. The jacket had a purpose, and so did the boy.
I had a teacher who recommended I take improv classes in Chicago - I'm from Evanston, Illinois - so I did improv classes at Improv Olympic, and that kind of opened me up.
I work really hard and have rolled up my sleeves for a long time to get the opportunities I've had.
I need to make things mine. It annoys me to buy something that is imposed on me. When I have a suit made, I go to the Sicilian tailor Alessandro Martorana in Turin. I like shorter jacket sleeves and often fold the cuffs up. It's more modern that way.
I love a good suit, and when I see photographs of myself in a jacket that doesn't fit me quite right or the sleeves are too long, it drives me insane.
I was talking on the phone in my trailer, and I looked in the mirror and I saw the badge clipped to my belt, a gun with a holster, and the suit and the tie with the jacket off, and it was just deja vu. I remember that image so clearly from growing up. My dad would come home for lunch, take off his jacket, have the gun and the badge.
I thought I should work more on the idea that you wear a suit or a jacket because of the fun it can provide, because it's a game, because it might even have a sexual quality.
A revolutionary idea is usually one with its sleeves rolled up.
I think I wanted to be a punk-rocker before I wanted to be anything else. I remember wanting a mohawk, and I wanted to cut the sleeves off of my jean jacket because I used to want to be Dirty Dan from Sha-Na-Na. This is before hip-hop was even around. I had the skinny piano tie. I had it, man.
When I was older and I first started working, I was obsessed with buying my first Chanel jacket. I saved up my hard-earned money, went to Barneys, and bought a little black Chanel jacket. It saw many, many job interviews and many, many events. I'm not fitting into it lately, but I still have it.
I took an improv class in 2005 in Chicago at ComedySportz, which was short-form, more of a games-based improv. I remember it being real fun and helping with my stand-up. If I did an improv class, and then I did stand-up later, I felt looser on stage and more comfortable.
The first Chanel jacket that I saw - that I knew was Chanel - was on TV. It was on Mrs. Kennedy - the pink one.
I just feel more comfortable with my sleeves rolled up.
One day, I looked up and saw I had an extensive resume and saw how I did that and did not realize it because you are constantly working and trying to build a body of work.
A lot of young artists and musicians that we work with, you think they're gonna want to come in and buy the rock star-looking leather jacket - whatever it is that you think they're gonna want. They all want a suit. They want a tuxedo jacket, they want a suit. They don't want to look like their dad in it, but they want a suit.
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