A Quote by Joe Satriani
It really sucks when music is so perfect you just don't need to hear it anymore.
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I just want people to hear the music the way it's suppose to sound, the way we meant for them to hear it. You sit in the studio all this time and make the music, tweak it, try to get it perfect. They should be able to hear it that way.
Sometimes when you are standing still and it’s snowing, you think that you hear music. You can’t tell where it’s coming from either. I wondered if we all really did have a soundtrack, but we just get so used to it that we can’t hear it anymore, the same way that we block out the sound of our own heartbeat.
It sucks for me, because now I have to not be as crazy as I am on the Internet. Which totally sucks, because it's not going to be fun anymore. But the repercussions are really bad. Like, Taylor Swift fans are really crazy. They threatened to murder me and stuff. It's really bizarre, and disgusting. They're the worst people in the world.
When I listen to music these days, and I hear Pro Tools and drums that sound like a machine - it kinda sucks the life out of music.
In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.
There are so many people in this world that have the look and have talent, and yet they keep putting out this teenybopper singers that have no vocal capability at all. Sometimes I think there's no real music anymore. We don't have singers like we did back in the day. Music is supposed to convey a message. Music is supposed to make you feel a certain way. Now, I don't want to hear about big bootie shaking on the floor. Music just isn't what it used to be. I think that with the times changing, labels do actually need to get that and stop signing all these crap artists.
I think you can hear, when you listen to someone's music, whether or not they're enjoying making it - it's so great to hear music where you can tell the person making it was just having a blast. That's really important to me as far as my process goes. That's probably why my music ends up being so poppy!
That sucks, though," Wes said finally, his voice low. "You're just setting yourself up to fail, because you'll never get everything perfect." "Says who?" He just looked at me. "The world," he said, gesturing all around us, as if this party, this deck encompassed it all. "The universe. There's just no way. And why would you want everything to be perfect, anyway?" "I don't want everything to be perfect," I said. Just me, I thought. Somehow. "I just want—
I work with musicians whose opinions I respect and if they don't like something they don't hold back. They'll say, 'That really sucks' and 'You've lost it' and 'You're no good anymore.' And I crawl away with my tail between my legs and I fear that kind of ridicule, but I want them to like the music I'm bringing to them.
I just prefer instrumental. I don't need to hear what other people are singing. And if I need music as a backdrop to work or to think, I need to have that part of the brain clear - I don't need people feeding their fantasies into my vision.
I'm just basically trying to make music that feels good. Right now in the music industry there's a real lack of intimacy. You don't really connect with the artist as much anymore, and you don't really understand where they are. I'm basically doing music that illustrates who I am and where I am in my life.
I think right now is when we need to hear different voices coming out of all parts of the world. You can't just hear the politicians and the military leaders. You have to hear from the taxi drivers. You have to hear from the painters. You have to hear from the poets. You have to hear from the school teachers and the filmmakers and musicians.
You don't need to suffer anymore. You've suffered enough to take you to this point where you hear the words, "You don't need to suffer anymore," and you understand them. You recognize their truth and you then see that you do have a choice that you can surrender to the suchness of now, which means every moment to relinquish resistance and if it still arises, to recognize it.
When I first started, I wasn't really aware of anything in the industry or aware of who I really was. I just put my music out there and tried to get as many people to hear it as possible. I hadn't really thought about the kind of music I wanted to make.
Hugh Jackman is just the nicest person in the world. I know everybody says that, and it's almost boring to hear, but he is really, really perfect.
If I am a fan of my own music, which I am, I want to hear the best Madchild I can hear. What am I missing? I sort of had a good talk with some close friends of mine that I really respect and look up to in music as well and we all just came to the conclusion, just some more storytelling songs of things I have gone through.
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