A Quote by Joe Satriani
I personally am into the minstrel technique - if I hear someone playing a lute or playing a crumhorn, it just moves me. I don't know why.
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When I began playing the lute, in 1950 there were not too many lutenists around. I had to work hard, writing out music in museums and libraries. It was before the days of photocopying. And I had just picked up the lute, adapted my guitar technique to it and went from there.
I'm very comfortable playing off-technique, playing press technique. I've just had to do it in so many different systems and switch up.
My own style on the guitar grew out of my experience with the lute. I suppose some people might say I play each like the other. And of course I know a lot of guitar fans who wish I would stop playing the lute and vice versa.
Even back then I really didn't enjoy playing chord changes, riffs, and solos when I was young. The only thing I enjoyed playing were these Robert Fripp-type double-picked loops that no one wanted to hear, including me; I just liked playing them.
My relationship with Leonard [Nimoy] was a byproduct of playing Spock that I never would have imagined, but the more I got to know him, the more I realized, there are no mistakes. I'm playing this role for very specific reasons, and maybe those reasons have to do with where I am creatively in my life, but maybe they have to do with where I am personally in my life. Leonard was such a teacher for me.
There are people that said I will not be as good as my father, that I am trash, and asked why I am playing for the U.S.A. You know, that is just pushing me to be the star that my country has been looking for.
I've had a number of opportunities to hear Andrei Ryabov perform and I am amazed at the high level of creativity, technique and freshness in his playing.
There's a certain - there's a different pressure with playing in a Ryder Cup. You know, you're not just playing for yourself. You're playing for your teammates. You're playing for your country.
I am so extremely busy with what I am doing myself. When I am not playing music, I am usually doing other things. Playing around with my Ferraris and playing tennis and things like that. What I understand, there is a new group of kids that are very serious about playing, which is great; I think that is a good thing.
Movie stars exaggerate certain things to let the audience know they're just playing a character, as if they're saying, "Look at me, I'm not really an old man, I'm just playing one." Or "I'm not really a homosexual, I'm just playing a gay character. Or an alcoholic. Or somebody who's mentally impaired." They often do it very successfully and win awards for it.
Why is it rappers feel like they have to show each other their balls? It's so frustrating to me and the fact that I've come to the realization that I'm not playing that game and I'm just happy whether I'm sitting on the keyboard, up on the stage, or doing post edit vocals alignments for someone I don't even know, I'm happy. I am successful in my own eyes.
I came from being a singer going into jazz. And that's one of the things that polio did for me is it took away my ability to sing with a range because it paralyzed my vocal chords, so that was when I started playing. But I hear the music as if I were singing even when I am playing.
I think the solo playing, the decision to start playing solo, came out of having discovered what lay behind the doors that that technique opened for me.
I think the best roles are in dark movies. It's roles that aren't you. It's fun playing someone that's not me. If I'm playing me all the time, then it's not acting. It's just being yourself.
When Grand Masters play, they see the logic of their opponent's moves. One's moves may be so powerful that the other may not be able to stop him, but the plan behind the moves will be clear. Not so with Fischer. His moves did not make sense - at least to all the rest of us they didn't. We were playing chess, Fischer was playing something else, call it what you will. Naturally, there would come a time when we finally would understand what those moves had been about. But by then it was too late. We were dead.
I opened up my mind as far as playing music. I was at a Cody Chesnutt concert a few years ago, and a friend introduced me to him. We just started talking about music, and he asked me what I did. I said, "I have these songs and I'm kind of nervous to put them out, because I've just kind of been playing blues stuff, and playing other people's songs." He said, "You should just put them out there, man. Why not? It's just gonna bother you if you don't. The easiest thing to do is to just let it go." So I just took that with me.
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