A Quote by Joe Satriani

You always have to reset your volume for the venue you are in. Sometimes the tubes can have you scratching your head because they react differently at different volumes.
All evidence indicates that the neuron does not reset. The synapses do not reset. They are always different. They're changing every millisecond. Your brain today is very, very different from what it was when you were 10 years old, and yet you may have profound memories from when you were 10.
There are different groups of people in your life that you behave slightly differently with. You behave one way with your family. You behave in a different way with your work colleagues. You behave differently with your friends from the movie club, your fitness instructor - all subtly different personas.
Life…we understand it differently at different stages. It’s what is interesting about getting older, you realize your relationship with the past is always negotiable. There is a lot of freedom in that, because you realize you can go back to what you did such a long time ago. You can talk with the dead, talk with your lost self, your disappeared self, and you can visit those places again, and understand it differently. That makes a huge difference.
Hold your head up to the gun of a million cathode ray tubes aired at your tiny skull.
When you’ve been poor all your life, you never really think it could be any other way. And sometimes you’re even happy, because at least you’ve got your family and your health and your arms and legs and a roof over your head.
Every work is completely different. Sometimes the music is first, sometimes it's parallel, and sometimes the music is after. There's no rule. Music goes differently to your emotions. With music you can create different spaces and feelings easier than you can with the visual - maybe not easier, but in a way, it's more seductive.
You know, different people are going to react different ways. And I don't think we should be intolerable because people do things a little differently.
Cricket often leaves you scratching your head.
Everybody reacts differently. For me defeat lingers around for different time periods. I can dwell on some for five minutes or sometimes I can still be thinking about it a week later. It all comes down to experience. You need to reflect on your mistakes and move on. Luckily you always get the opportunity to turn things around in your next performance.
I think sometimes your worst enemy is inside your head. All your insecurities, your ego, your fears, your expectations.
Be yourself-- Matthew Clairmont. Complete with your sharp vampire teeth and your scary mother, your test tubes full of blood and your DNA, your infuriating bossiness and your maddening sense of smell.
Sometimes, with directors, you have to take what they say and translate it in your head, into something that makes sense to you, because you're speaking two different languages.
Actors are such wonderful creatures and such wonderful instruments. It's always different on the page or in my head. I hear it differently. I see it differently. And then, you give it to an actor, and it comes alive in a way that you didn't expect.
Actors are such wonderful creatures and such wonderful instruments. It's always different on the page, or in my head. I hear it differently. I see it differently. And then, you give it to an actor and it comes alive, in a way that you didn't expect.
What I learned: if you've done something you think the public is going to react badly to, you can't delay it, hide from it, or ignore it. You have to address it head on and take your beating. Always take your beating.
I am not afraid to stop the puck with my head. I try to do it sometimes even in practice; not everyday but once in a while, I say to my teammates, shoot me in my head and I'll try to stop the puck. I am not afraid at all of the puck, so sometimes, if the shot comes at my head, it's an easier save to make with your head. Maybe the people think a different way, but for me, I do it with my head.
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