A Quote by Joe Satriani
I did tons of gigs where I didn't move around very much because I couldn't. There's a pole over here and wires and a monitor there.
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Unfortunately, I am very aware of editing and I look at the monitor too much. Sometimes the monitor can become your worst enemy because you can, consciously or unconsciously, start editing yourself.
Here is the door of my mom's house, well-remembered childhood portal. Here is the yard, and a set of wires that runs from the house to a wooden pole, and some fat birds sitting together on the wires, five of them lined up like beads on an abacus.
If you're not flying people around on wires, and you're only allowing them to do things that people can really do, it can't go on for very long, because eventually somebody gets the drop on the other person and then it's over.
I saw the years of my life spaced along a road in the form of telephone poles threaded together by wires. I counted one, two, three... nineteen telephone poles, and then the wires dangled into space, and try as I would, I couldn't see a single pole beyond the nineteenth.
In this movie they took them up in space. They're floating around and doing zero gravity stuff. Well, they had to do it all on wires. All the wires had to be painted black against this black background. If you didn't light it properly you could see the wires. Drove them crazy!
We have new technology that allows us... After we've blocked it, all the actors usually run over to the monitor and we can see the hallways and what's there. But I find it difficult, because you're in such a large room and you feel so small and inadequate. There's so much space around you and actors always want a prop or something just to make it comfortable.
Sticking wires into the brain is obviously rather crude. It's hard to do in animals that run around, and there is a physical limit to the number of wires that can be inserted simultaneously.
In chess there can never be a favorite move. I can probably pinpoint in a specific game, there might be a move that was like, "Oh, that was a good move." And maybe certain moves turned the whole game around, but there's not one special move that does that, unless it's checkmate because that's when the game is over.
My makeup routine is a small amount of base, a mascara, nude eye shadow, and a lip balm or a gloss. When I go out at night, I wear a blusher and tons and tons of mascara - very easy, very fresh, very light. I can't sit around doing my own makeup all day - I wish I could.
I must say it was not very inspiring to see that tons of new bands emerged from nowhere and started to play the exact same music as I did. Why would I want to play this type of music, when tons of other bands did, too?
People are mobile. They move around, and anytime they want to communicate, if you tie them to the wall or the wires, you're restricting them, you're infringing on their freedom.
We did tons of research. We went to visit a prison. We had speakers. We have read tons of supplementary material, books and articles. We are constantly emailing articles around the writers' room. We have dipped ourselves in prison culture and lore and media, and the experience and the people. We really want to be as informed as possible.
It was so hard to watch myself back because whatever movie I do, I never look at the monitor. I hate looking at the monitor.
I did not grow up watching much TV and film. I had a very, very, very, very, very, very church family, and a lot of, like, secular stuff was not around my house.
There was a period when I stopped talking so much, because I was just going through certain things. I just did the gigs and just stayed in, tried to stay away.
It was 2002, we all got guitars for Christmas and started playing in my garage that summer, rehearsed there and in a warehouse for a bit for about a year. We did our first gig in June 2003 and we played a few gigs in and around Sheffield for a bit then started doing gigs outside of Sheffield about this time last year, recording demos while all this was going on.
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