A Quote by Joe Shuster

Before I ever put anything on paper, Jerry and I would talk back and forth. — © Joe Shuster
Before I ever put anything on paper, Jerry and I would talk back and forth.
I would not tolerate profanity from anyone, anytime. I'd blow the whistle, pull you from the court and put you on the bench and talk to you before I would put you back in.
I would run into the corner store, the bodega, and just grab a paper bag or buy juice - anything just to get a paper bag. And I'd write the words on the paper bag and stuff these ideas in my pocket until I got back. Then I would transfer them into the notebook.
Written with passion, honesty, humor, and a stubborn, rebellious optimism, Dear Marcus is like nothing I've ever read. When a bullet in the back told Jerry McGill not to go on, Jerry went on-smiling.
... the most important concept ever put forth was that matter, ALL matter, with no exceptions from stone to star to starfish to student to sovereign, is as divine as all else in the cosmos, for all flows from Consciousness, the Word that came before the World - and all, in time, will flow back.
Being down 3-1 [in the Finals] was the worst feeling I've ever experienced in my life. I didn't want to talk to my teammates, I didn't want to talk to my wife, I didn't want to talk to my kids. And to come back from that is a lesson that you can come back from anything.
I find that with any good run on a show with good writers, they put something on paper, and you put something back on film, and that affects what they put on the paper the next time.
I love the Dead. As far as Jerry Garcia, Jerry Garcia could walk on water. He could do anything any man could ever do. He's a prince.
It was like time would stop, and the dancer would sort of step through some kind of portal and he wasn't doing anything different than he had ever done, 1,000 nights before, but everything would align. And all of a sudden, he would no longer appear to be merely human. He would be lit from within, and lit from below and all lit up on fire with divinity. And when this happened, back then, people knew it for what it was, you know, they called it by it's name. They would put their hands together and they would start to chant, "Allah, Allah, Allah, God God, God." That's God, you know.
I was shooting for 'Kahaani' and 'GOW' back to back. I was in a village on work, where a man extended a paper to me. For a minute I thought he wanted another actor's autograph. I looked back and forth, but there was no one. That was quite an experience.
I can write anything and just put it in a zine, and then it's out there. It is like blogging but on paper. It is what I started to do before the computers were all popular.
If you look at the end of a roll of toilet paper, like the brown paper tube, I basically worked in a factory that made humongous ones like that - for concrete or anything you wanted to put in there. I was the guy who chopped those up into smaller pieces, put them in a box, throw it in a pallet, wrap it up, jump in a forklift and put it on a truck.
I like "Rock, Paper, Scissors Two-Thirds." You know. "Rock breaks scissors." "These scissors are bent. They're destroyed. I can't cut stuff. So I lose." "Scissors cuts paper." "These are strips. This is not even paper. It's gonna take me forever to put this back together." "Paper covers rock." "Rock is fine. No structural damage to rock. Rock can break through paper at any point. Just say the word. Paper sucks." There should be "Rock, Dynamite with a Cutable Wick, Scissors."
Before I had published anything, I still hung out with people who liked to write. None of us had published, so there was no talk about the business, and there was probably a lot more angsty talk back then. But these days maybe there are some more laments about the culture, but I would say no.
In my forthcoming movie 'Jerry,' I play a funny character, where there is scope for me to perform. I hope people would appreciate my performance. Hence forth I would concentrate on doing variety of roles, rather than appearing in skimpy costumes.
As a master of graphic creation, as teacher, historian, and roving ambassador of comics, Jerry Robinson has ensured that future generations of talented kids will continue to imagine and then put marks on paper.
I know there are other writers who sit down religiously every morning, they take their espresso, they put a clean sheet of paper there and they sit looking at that paper until they've finished or covered at least a number of those pages. No, I'm not like that. I have to be ready. It has to gestate it for quite a while and then it's ready to burst forth.
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