A Quote by Joe Swanberg
I guess I probably see myself as a director. If I had to choose, I think that that's the aspect of the process that I'm most excited by.
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What do you think it is to be normal?' Why in the world would you want to be?' she says. I don't know. I guess that's the problem.' I don't think normal is that great.' But so many people choose it,' I reply. I don't think that's it at all. I think most everyone is normal and some of us, for whatever reason, choose to reject that and wear ruby red slippers or old black hats.' Well, why do we choose the hard road?
The great thing about being a producer on a project is that you get to see the ins and outs of every piece of the puzzle. There are so many elements involved in every aspect of a film's development that I don't think the average person is aware of, which is, I guess, why the whole process is referred to as movie magic.
I think the thriller aspect of this film [Fifty Shades Darker] is what excited me most.
Film is definitely a director's medium. They're responsible for the look and everything, and you're a part of that process as an actor, and you try to contribute to the story. But I think it might sound a little pretentious for me to say I think of myself as an artist. I think of myself as a creative person.
I think it's worse for actors, though, because people have to choose you. As a director, I get to choose the actors, but most of the time, actors have to be chosen in order to work.
I think I always knew aesthetically what excited me the most, and I think I was always looking for that aesthetic in other people and it didn't really happen. I decided to take it upon myself to be the change I wanted to see in nightlife.
If I collaborate with people, ideas...they take interesting turns and twists, and I'm excited for that and that process and excited to see what we come up with.
I guess I want people to see me and to try to explain myself, and you don't always get the chance. Sometimes you don't get the chance and maybe no one ever gets the chance to really explain themselves, to have people see them. But I guess I'm doing that or I'm in the process of doing that.
I never really saw myself as a comedy director, and I still don't. I see myself as a director.
I'm a director's actor, and I surrender myself to the vision and the process. I think nothing else matters then.
I think 'director' is a very broad term. I like to think of myself as the head collaborator, not the director, because I think, for a lot of people, 'director' connotes giving orders and telling people what to do.
I think that if you're somebody who's a control freak, the process would make you crazy, but I'm kind of a process freak, so I'm excited to see what he does with it. I know it's not going to be my book, so just starting with that knowledge frees me from having to get all freaked out about it.
I've never had a huge circle of friends. I can't spread myself that thin and go 100 million miles an hour all the time. I choose to give truly of myself, entirely of myself, to the people I choose to do that with, and I can't do that with everyone.
I don't view myself as a particularly intelligent people, but I do have one ability that I've demonstrated over and over again, that's helped me see things that other people for whatever reason have not seen. That's that most people see what they expect to see, what they want to see, what conventional wisdom tells them to see. I guess it could be stated that most people only hear the music, not the lyrics of human events.
If you are able to see on a monitor what it's actually going to look like and have that kind of feedback informing your decisions, then you're bringing back a lot of the decision-making process of the designer, the director of photography and the director away from the post-production process and bringing it back into the actual capturing of the event on film.
When I realized that nothing is perfect and no one is perfect, I was able to overcome my initial fears. I was holding myself to some weird standard that I was putting outside of myself, i.e., the director or casting director - they're not expecting perfection. I had all these strange trappings I would put myself in.
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