A Quote by Joe Swanberg
I think I'll try to keep working in film for a little bit. There's something still kind of magical about it, that I don't want to let go of.
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I mean, as you start to scratch the surface - and that's what I think the intent of these films are. Here's a little bit of something if you're interested go read about it and it's a little bit more fascinating. It kind of is.
I always try to bring a little bit of my own personality to the character, or some sort of personal connection makes it a little bit more of an organic portrayal and the audience can kind of maybe believe it a little bit more. But I always look for something to kind of connect with and identify with, or bring something of myself to the table.
It's not the '80s any more. We're not all riding around in limousines and snorting coke off of hookers' tits. We still have to keep working and touring. We're definitely still very much a working band. If we stopped doing this tomorrow, we'd have a little bit of cash to last us a couple of months, and then we'd have to go and get other jobs.
I want to change and try new ideas - allowing your sonic identity to evolve in your music and not being afraid of that. You see musicians hit upon something that works, and then go, "Let's keep doing that for 10 years." And that idea kind of terrifies me a little bit. It becomes like a day job then.
I want to write a score for a film. It can be a proper film, maybe for a film kind of like... I saw that movie 'Drive', or a bit of a 'Blade Runner' vibe. A little bit sci-fi, but I don't know. I've just always wanted to write a score for a film.
I love Texas. Even if I am a little bit famous or a little bit popular... You go to places where you're not and just live like everybody else lives. I'm not crazy about this country in terms of the shape it's in, but I do think there are lots of great pieces to go to. I think I should take advantage of it while this country still exists.
I try to write every day. I don't beat myself up about word counts, or how many hours are ticking by on the clock before I'm allowed to go and do something else. I just try to keep a hand in and work every single day, even if there are other demands or I'm on a book tour or have the flu or something, because then I keep my unconscious engaged with the book. Then I'm always a little bit writing, no matter what else I'm doing.
In film, I don't think I'd try directing. Maybe one day, but I'd certainly want to go to film school or something before I tried to do something like that. That would be quite scary.
It's not a very sane thing to try to be great all the time. You want to make something magical; you want to make something wonderful; you want to give to everybody; you want to heal people; you want to still be inspired. That's not easy.
I'm not a technical person, at all, but you get a little bit more of a sense for how to get something done a little bit more efficiently. I think everybody is in that place where it's a little bit more efficient, but the process is still the same, which is still loose and collaborative.
Sometimes, if you really want to try something original, you step a little too far out of bounds. I mean, there's a market force that kind of unconsciously keeps you in line a little bit.
Whenever something good happens to me, I try-it may sound kind of bad-to think a little negative. I just always try to keep myself grounded.
If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.
I don't pick up my work at all. If it's something that's still in progress and I have the chance to make some edits on the material or think about the order, little things like that, I'll keep those stories at hand and go through them. But once it exists as the book, it's locked away in a vault, and I kind of put it behind me.
We're a little bit competitive and we want to make sure we're on the top. We're all working for the same goal as all these bands, we want to come out on top and I think we have accomplished that in a lot of ways. You want to keep improving yourselves and getting better at what you do.
My films are very everyday, and people don't always want to go to the cinema to see ordinary lives. They want to see something a bit more extraordinary. I get that desire, but it's not the kind of film I want to make.
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