A Quote by Joe Teti

This is the first time I've done something like this and I'm really hoping this will work. — © Joe Teti
This is the first time I've done something like this and I'm really hoping this will work.
I have no wish to go back to being frustrated by a character. It's really just part of being on an ongoing series. You're constantly hoping the next episode you get, something will happen for you. You're on the edge of your seat all the time, pressing your hands together and hoping that something cool will turn up.
With something like 'Second Sun' it was something I'd never really done before. It has no drums and I think that was the first time I'd done this sort of instrumental, bass-less kind of piece.
Yeah, I'm very impressed with Lifetime, this is the first time I've worked with them. I really like the kind of programming that they're into, so I'm hoping that I will.
I feel like if you compare yourself to other successful musicians you will never be successful, because there will always be someone above you who has done something more or done something first or done something better.
From time to time, little men will find fault with what you have done...but they will go down the stream like bubbles, they will vanish. But the work you have done will remain for the ages.
I think competition in any kind of activity like music, art, literature - anything that's not done with a timer - is actually impossible. So, in effect, what you're doing is you're entering the lottery. You're hoping that you play well (and that) you play your best on the day that you're heard, and you're hoping that the people who are judging will like what you do.
I like to take on the thing I don't like at the moment. I like to find something that looks wrong or feels off, something that I would never have done in the past, like brocade. And then all of a sudden, if we can make brocade work, then we've really done something, because I hate it. And that's just a reference. I don't actually hate brocade.
Sometimes I will give some very vague directions to the designer that I'm working with on a particular project and they'll come back and surprise me with something that really shows a lot of their own 'hand' in it. Other times I'll have a really clear idea about how I want it done and I'll draw it out pretty precisely and say 'make it look exactly like this' and it will be something where it looks like I can say it was 'fully my design'. The work can also range between the two.
I am hoping to work with writers publishing books for first time, since I of course remember what that experience is like. It's all a bit of a mystery for new authors who don't know what to expect.
Inspiration is a really hard thing to describe, but it's something that triggers your brain, like the first time I heard a certain guitar player that I loved or the first time that I saw a monster or the first time that I saw anything that really was an epiphany for me. It just stays with you your whole life.
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for, in a way. They wanted it to be something special. None of us were really known then, as well. It felt like a big deal, at the time.
We would like, still the numbers to increase, and so we're hoping that there's far - there will be many more women in the cabinet. It appears there will be and we're hoping that will happen. And - but the ones that have been picked, by and large, we have worked with. There's a couple that we haven't, but there - they look like their bio's are great and so we're - we're pushing on.
I'm always reaching for something we really haven't done, and War of the Worlds has a lot of this sort of documentary look to it and first-person camera view that is a new thing for me. I've done some stuff like that before, but nothing like the extent of this and digitally.
Usually, when you're talking about work with other writers it's because something seriously bad is going on with your work and you've absolutely thrown out a lifeline and you're hoping that someone will help you with something. Either there's some bad feeling you have about the work, or sometimes it's not specific - just kind of solidarity.
I think the best compliment you can receive is not, 'Oh, that was really funny,' but, 'Is that the first time you said that?' It's something that you've said a thousand times, but if somebody says to you, 'Oh my God, is that the first time you've done that?' you know that performance was where you wanted it.
I grew up around books. When I first held the book and it was a substantive, tangible thing, and I thought of all the work that went into it, not just my work but everybody else's and the research and so forth, there's a sense of really have done something worthwhile.
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