A Quote by Joe Thornton

As a line I think you've always got to constantly talk. You talk about playing for each other. — © Joe Thornton
As a line I think you've always got to constantly talk. You talk about playing for each other.
The privilege I've had as a curator is not just the discovery of new works... but what I've discovered about myself and what I can offer in the space of an exhibition - to talk about beauty, to talk about power, to talk about ourselves, and to talk and speak to each other.
I've worked on shows where the actors don't talk to each other, and if they want to talk to each other, they talk through the director. What kind of existence is this? If I have to spend 14 hours a day with somebody, we're in a relationship. We'd better talk it out.
What we do too much of is, we talk about each other, we talk at each other, or we talk past each other. I have found that talking with each other is much more effective.
I've always been very shy and sheltered; I think it was a good way of starting to communicate with people. I was taught as a child never to talk about myself, never to talk about my emotions. Of course, now I talk about myself constantly. Now I have to take reverse est.
You don't learn how to say 'hey, I have a problem,' but you also don't learn how to hear it. There's a total breakdown of how females talk to one another. It's very disconcerting for leadership because it means you don't talk to each other; you talk about each other.
I think the best writers use the language they use every day when they talk to friends. When we talk to each other, we tend to talk in short grabs rather than in long flowing sentences. I think that's not a bad way to write.
In the theatre, people talk. Talk, talk until the cows come home about journeys of discovery and about what Hazlitt thought of a line of Shakespeare. I can't stand it.
Each year, you've got to talk about it more and more, you've got to have programs. You're doing these camps, you've got to talk about concussion awareness.
Now, Marlon and I - for some reason, even today - even today, we can't say two words to each other. We really can't talk to each other. You know, I say to him - Marlon can't talk. I mean, he'd talk to you. But he can't talk.
I'm just gonna talk about being Nigerian-American. I'm gonna talk about being single. I'm gonna talk about what happened to me on the train today. I'm gonna talk about so many other things that, as a comic, you're able to talk about because you see the world in sarcasm.
The 'Lost' style book is really quite set. We do things like, we walk through the jungle, and we stop and turn and talk to each other. We never talk and walk. We always stop to talk.
It's not necessarily a brave thing, people talk about what they think about. There's people out there who love to talk about politics or where they think the countries headed. I don't talk about that I talk about...things that are a little trippier.
I think you can talk about anything if the context is correctly arranged. If you set up the context and you bring the audience along carefully enough with you, you can get them to cross the line with you. What I try to do is talk about things that bother me, and I hope that in doing so I bother other people.
The fun of reading as "an exchange between consciousnesses, a way for human beings to talk to each other about stuff we can't normally talk about."
I would advise puppeteering for any artist. It's a way to break down pretensions. It's a sculpture that can talk. It's a painting that can talk. And it's pure play. I think every artist needs to stay in touch with the idea of playing. The artist should always be playing, always. All art is performance.
When I became majority leader in Washington, I was interviewed constantly. I was always happy to talk to the press, but I drew the line at the Sunday morning talk shows on television. After a full work week consisting of long days and frequent late evenings, I insisted on keeping my weekends free for my family and friends.
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