A Quote by Joe Torre
Obviously generating revenue is what this is all about anymore, which is sad, but again, you have to find ways to make it work. But, yeah, that's certainly intriguing.
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I’m not sad, but the boys who are looking for sad girls always find me. I’m not a girl anymore and I’m not sad anymore. You want me to be a tragic backdrop so that you can appear to be illuminated, so that people can say ‘Wow, isn't he so terribly brave to love a girl who is so obviously sad?’ You think I’ll be the dark sky so you can be the star? I’ll swallow you whole.
Risk management systems and controls may discourage or limit certain revenue-generating opportunities. Failure to ensure the independence of these functions from the revenue generators and risk takers has been shown to be dangerous, and this is something for which the board is accountable.
Irish music is guts, balls and feet music, yeah? It's frenetic dance music, yeah? Or it's impossibly sad like slow music, yeah? Yeah? And it also handles all sorts of subjects, from rebel songs to comical songs about sex, you know what I mean, yeah? Which I don't think people realize how much innuendo there is in Irish music.
It's counterproductive to lower my price, because I have to sell more units to make up for that lost revenue. Generating brand-new products can take a long time. Improving service is typically the quickest way that I can take market share. So aligning technology strategy to better service customers becomes an essential path to revenue growth.
I think my sensibilities about storytelling and character just automatically come into play when I'm trying to work on any kind of narrative. For me, it doesn't really matter what the source of the narrative is. I will be looking for ways to make it into an intriguing story with empathetic characters.
A theatrical on a tight budget really only becomes about generating critical reviews for you and your film, not revenue.
People talk about generating my own work, but I don't really know how to go about that. There are certainly some roles in the theater I'd like to play but I don't know if I'll ever get to do it.
To work our way towards a shared language once again, we must first learn how to discover patterns which are deep, and capable of generating life.
Big Internet companies on average are capable of generating revenue of $1 million per employee, and that compares to 10 to 20 percent of that which is normally generated by traditional offline businesses of comparable size.
One of the things that's great about doing a show over and over again... is that you have to find ways to make it spontaneous, as though everything is happening for the first time... to continue to mine the material and find new things.
Marc Jacobs Beauty is really exciting for me; when I was at school, I would always struggle to find make-up that suited my skin tone, and I certainly wouldn't find anything from a luxury brand. I'm glad that girls don't have that problem anymore.
I always have strong urges to sabotage myself. Whenever someone says they like something about my music, I tend to not want to do that anymore. It's not even that I don't like it anymore: it's that I keep trying to find ways for people to dislike me.
Make America great again? Right, but now it comes back to us in a completely twisted way. And in some ways they achieve that, or they at least achieve the appearance of that, but now you try and do it again and it's just... it's so out of sync with who we obviously are as a people.
The criteria [to take or refuse the role] is that I would love to have some kind of dialogue or communication with the director. I need to understand that we can communicate and that we like communication. That's something I have to have a strong feeling about. Secondly, I have to find the script intriguing or interesting. I don't have to understand the whole script, but I do have to find it intriguing. If those two things are present, that would probably be a yes.
Again and Again, however, we know the language of love, and the little churchyard with its lamenting names and the staggeringly secret abyss in which others find their end: again and again the two of us go out under the ancient trees, make our bed again and again between the flowers, face to face with the skies
There's a limit of any form of representation; it's the same about writing about visual art. I still think it's useful for people to think through things in a deeper way, and use adjectives even if they're not sufficient, you know? I always find it interesting what terms they use to refer to the work. It's always different, and that's kind of intriguing. Sometimes it's clichés, but often it's really creative ways of paraphrasing or reformatting what to mean seems something else. I like that, personally.
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