A Quote by Joe Trohman

I have an amp that doesn't have a master volume. It sounds awesome, but we just can't get an appropriate decibel level out of it. — © Joe Trohman
I have an amp that doesn't have a master volume. It sounds awesome, but we just can't get an appropriate decibel level out of it.
When you're in operations, the best thing you can do at the top level is get the strategy right. You have to get the big ideas right, you have to determine what is the policy, what is the level of effort you're willing to commit to it? And then you delegate to those who have to execute that strategy to the appropriate level. What's the appropriate level? It's the level where people are trained and equipped to take decisions so we move swiftly against the enemy.
There's some boring advice for improvisers beginning their careers like "see as much of it as you can and do as much of it as you can." Volume, in a way, is the most important thing. Not, like, decibel volume - just immerse yourself in it as much as possible. I'd also suggest that you put a high value on your personal interests and tastes.
I think people actually notice sometimes the content of what one is saying rather than the decibel level at which he says it. And a lot of times when people don't have a lot to say, they increase the volume.
It's easy to get a good amp that might not be the right amp for you. When you go to a music store, really turn the amps on and turn 'em up - hopefully they'll let you - and work through the sounds. This is an important decision, so take your time and be methodical.
Yeah. I started using them [SDD-3000s] shortly after first working with Edge on The Unforgettable Fire. Basically, I stole his sound. It wasn't a complicated rig: just a guitar he liked through a Korg SDD-3000 digital delay into a Vox. Three components, mono - that's it. The great thing about the Korgs is its three-position level switch, which lets you hit the amp with about 10 extra dB. It's more overdriven than if you just plugged the guitar straight into the amp, even when it's on bypass. But a lot of the guitar sounds on Achtung Baby were recorded through a Korg A3 effects processor.
The older I get, the more I just like plugging directly into my amp. I'm tired of trying to impress myself with weird sounds. It's about the notes more.
My stepfather had an electric guitar. He went to his pawn store one day to get a guitar and an amp, and I couldn't understand what I was hearing. All afternoon, I just sat against the amp and let it reverberate through me. Something must have stuck.
Are we all ready? (Deimos) (Letting out a blood-chilling war cry, he and the rest of the Dolophoni ran through the caverns.) I hate their dramatics…and their decibel level. (M'Adoc)
I went to my friend's house one day, and he had an electric guitar he had just bought with a tiny little amp. I turned the volume up to 10 and I hit one chord, and I said, I'm in love.
I like the sound of a Silvertone amp for myself. It's kind of cleaner guitar sounds when necessary, maybe a little less metal-sounding. But it really doesn't matter what amp I play through; it's really the way I voice chords and play guitar, how I strike the strings.
Despite the occasional high decibel level, 'The Group' is not a shout fest. I don't simply want panelists with opposing opinions trying to out-shout one another.
I have always had a good functioning in my artistic life, but I had problems mostly in my private life, I got very angry with my boyfriends and stuff...I would probably have good reasons to be angry but the volume would be too high, just getting to some level of wounding that perhaps was not appropriate to the actual offence committed.
The difference between a stranger sending you a message that you might be interested in at a very low volume level, no repetition, just sending it to very few people, and that being done as spam - those things get close enough that you want to be careful never to filter out something that's legitimate.
My Portuguese uncle had a Portuguese version of a ukulele. The family would pull it out after dinner and play Portuguese folk songs on it. I couldn't wait for him to finish so I could get my hands on it. I was seven or eight years old. And he used to have a Fender amp in his house and an electric guitar. I would spend hours making sounds.
Drone manufacturers have yet to create a drone capable of delivering packages while operating at a decibel level that isn't disruptive to communities.
I just need to remember even if I don't get the title, I have an awesome life and an awesome family and friends.
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