A Quote by Joe Trohman
I like guitar sounds to be a little somber.
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Obviously, a bass sounds like a bass and a guitar sounds like a guitar, but the way you play the guitar reflects your personality.
It became a bit of a challenge to make an album that is essentially quite alternative sounding, and has a lot of sounds that could be guitar - for instance on "Overjoyed," there's what sounds like guitar but is actually a lot of keys.
I like the sound of a Silvertone amp for myself. It's kind of cleaner guitar sounds when necessary, maybe a little less metal-sounding. But it really doesn't matter what amp I play through; it's really the way I voice chords and play guitar, how I strike the strings.
I'm glad I get singled out for my slide guitar-playing, which isn't that difficult to do. I didn't take guitar lessons, but I just love the way it sounds, almost like the human voice.
I like the sounds of EDM; the guys create new sounds, beautiful sounds. The melodies, it's a little less. I like the kind of melodies I did with Donna Summer, or 'Flashdance,' where you have a verse, a chorus - a song setup.
Thought itself needs words. It runs on them like a long wire. And if it loses the habit of words, little by little it becomes shapeless, somber.
It's like that Simpsons joke - they're filming a cow in a movie and they go, 'OK, we'll tape a bunch of cats together to make a cow', and it's like, 'Why don't you just use a cow?'. For some reason that is novel - like, 'Oh, my guitar sounds like a piano and now if I can just get my piano to sound like my guitar'.
My guitar is a mutation between a classic Fender Stratocaster guitar, which I played for years, and a Gibson solid-body like an SG or a Les Paul. It contains all sounds of the basic classic rock n' roll guitars. It does what I want it to do.
I grew up with rock and pop music from the 70s and 80s. I had to play guitar in school - it was a music college and we had to take instrument classes there - so I think guitar playing and guitar sounds have always been an influence.
I don't understand why some people will only accept a guitar if it has an instantly recognizable guitar sound. Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off.
Musically, I am still hooked and just hypnotized by the sound of the guitar itself. I mean, a guitar sounds good if you drop it on the floor.
From the classical guitar right through to the furthest electrical experiments and everything in-between, it's amazing what the guitar can actually do. I mean, when one thinks about sounds.
I'm more of a whiz on the guitar and drums. I hear certain sounds in my head, and I find it easy to translate them into synth sounds, but I'm not really technically-minded.
The schematics are a little bit tricky, but once you get it down you're able to really program an entire show. Every song has a lot of different guitar sounds in it, so that's what it is.
A gut-string classical Spanish guitar, a sweet, lovely little lady. The smell of it. Even now, to open a guitar case, when it's an old wooden guitar, I could crawl in and close the lid.
I believe I love my guitar more than the others love theirs. For John and Paul, songwriting is pretty important and guitar playing is a means to an end. While they're making up new tunes I can thoroughly enjoy myself just doodling around with a guitar for a whole evening. I'm fascinated by new sounds I can get from different instruments I try out. I'm not sure that makes me particularly musical. Just call me a guitar fanatic instead, and I'll be satisfied.
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