A Quote by Joe Walsh
Digital technology has eaten classic radio as we know it. Independent stations with disc jockeys who chose their own music have all gone; it's these huge parent companies that own a hundred stations and then decide what we should hear.
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When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.
And in an era where radio stations that are inclined to play Styx music are your classic rock stations and the stations that play current music look at us as dinosaurs - the only way we could reach people with our new music, generally, is to perform live.
There are so many conditions to programming in America, where it's dominated by these people that own 800 radio stations that have no idea who to play and who not to play, and they listen to somebody or read somebody else's programming sheet and go by Buck Owens' opinion or something. Eight hundred stations are controlled by some guy that doesn't have a clue as to what to do about music.
Record labels collude with some of the radio stations, and the radio stations have their play lists, dependent upon what they call the, quote, 'hits.' What's commercially viable gets recycled, endlessly repeated, and as a result of that, the progressive music can't break in.
During the time that my recording career seemed to be in a slump a music called disco came on the scene and literally took over radio stations as well as having radio stations created to play it which sort of negated my music as well as that of some of my peers.
All the things I used to count on to get my music out there - record companies, they're all gone. And radio stations, they're gone - they're completely controlled by the government. If they're not controlled by the government, they're controlled by a programmer who's controlled by the government. Mainstream radio is suspect. You can't trust it.
I'll hear us on classic rock radio stations, and I'll go, 'Oh, my God, we're getting old!'
Public radio is the last oasis of free and independent music. For satellite radio channels, you have to subscribe; commercial stations are as corporate as basic cable.
Broadcast radio was entering its own golden age during the Depression, with live programming on stations all through the day. Local stations needed singers, musicians, announcers, and whipcord personalities, along with Christian clergy to give prayers and pundits to speak on world affairs.
Atlanta is a very good scene for the type of music I'm making. The biggest radio stations are all trap or rap stations. All the clubs are just based around this music and just the southern sound, that's what I really love about the city.
On the radio I listen to the easy-listening stations, the jazz stations.
Your main radio stations, the stations that get the most listeners, don't play anything that has any kind of integrity to it.
With digital and podcasting and the amount of radio outlets - traditional stations but with satellite radio - there's a billion ways to get your voice out.
I own no TV stations, or Radio Stations or Newspapers. But I feel that people need to be educated as to what is going on, and to understand the connection between the news media and the instruments of repression in Amerika. All I have is my voice, my spirit and the will to tell the truth. But I sincerely ask, those of you in the Black media, those of you in the progressive media, those of you who believe in true freedom, to publish this statement and to let people know what is happening. We have no voice, so you must be the voice of the voiceless.
By the eighties, a lot of radio stations had started playing "Sixties" music. They called it "Classic Rock," because they knew we'd be upset if they came right out and called it what it is, namely "middle-aged-person nostalgia music.
We are extremely proud to represent all of Radio One's stations within the Katz Radio Group. For the past five years we have worked diligently alongside Radio One to build their business in the markets we have historically represented including Houston, Los Angeles, Philadelphia , Raleigh and Columbus. At a time of significant growth in the African American consumer market the addition of the remaining Radio One stations expands our ability to deliver strategic marketing solutions to our agency and advertiser customers.
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