A Quote by Joel Benenson

I was a reporter for Gannett and the 'N.Y. Daily News' covering Gov. Mario Cuomo's dance with presidential races in both 1988 and 1991. — © Joel Benenson
I was a reporter for Gannett and the 'N.Y. Daily News' covering Gov. Mario Cuomo's dance with presidential races in both 1988 and 1991.
I am not covering stories as a transgender reporter. I'm a reporter who is transgender. Otherwise, it would be like having a black reporter only cover stories about blacks or a Hispanic reporter covering stories about Hispanics.
It was Mario Cuomo's great gift and our good fortune that he was both a sterling orator and a passionate public servant. His life was a blessing.
The brutality of the pace. This was my third presidential campaign and it was a thousand times faster paced than my first one in 2004. The news cycle is constant and there has been an explosion in the number of news outlets covering them. As as result we're witnessing news and entertainment melding together to create what I'd describe as the "American Idolization" of campaigns and politics.
For too long, Gov. Cuomo has led with fear, intimidation, and bullying.
At times, Mario Cuomo seemed to have the humility of a Jesuit and the goals of an emperor.
My first newspaper job was a high school reporter for the 'New York Daily News.'
We all have our likes and our dislikes. But... when we're doing news - when we're doing the front-page news, not the back page, not the op-ed pages, but when we're doing the daily news, covering politics - it is our duty to be sure that we do not permit our prejudices to show. That is simply basic journalism.
As someone who's been covering presidential campaigns since the 1950s, I have no delusions about political reporting. Candidates bargaining access to get the kind of news coverage they want is nothing new.
I'm not a daily reporter. I'm not a newspaper reporter, I'm not a political reporter.
Covering Richard Nixon's triumphant run in 1968 turned out to be my last major assignment as a general correspondent for CBS News. In September of that year, '60 Minutes' made its debut and I began the best, the most fulfilling job a reporter could imagine.
I started at 'The Daily Telegraph' as a daily news reporter. I moved then to 'The Guardian,' and then I moved to New York as the correspondent for 'The Guardian,' moved to 'The Times of London.' And really, it was the best job you could imagine. You could cover any story you wanted in America.
My first film role was a reporter. It's funny, because my father was a news reporter. I always thought there was something strange about that.
I did once answer the question 'What would you say on your tombstone?' I know what I would say: 'Mario Cuomo, 1932 - dash,' and, 'He tried.' That's it.
I lost in the 1988 Olympics, and I was pretty depressed for about eight years. I quit wrestling, and I got into Brazilian jujitsu in 1991.
My dad always said there's four phases in an actor/director's life. There's 'Mario Who?' There's 'Get me Mario!' 'Get me a young Mario,' and 'Mario Who?'
When the media had their monopoly and they determined what was news and what wasn't news and when they determined what commentary the news was, that's all it was. But my show came along in 1988 and blew up that monopoly.
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