A Quote by Joel Edgerton
There's a certain relief to just being the guy who puts on the costume and walks onset and gets to prance or stomp around in a Ridley Scott or Baz Luhrmann movie.
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Ridley creates a very immersive world, so when you walk up to a Ridley Scott film set you're in Ridley Scott's imagination, and it's a really comfortable, cool place to be.
Ridley Scott obviously an iconic director, he's made some fantastic films. Obviously a very smart, very tasteful, thoughtful guy. So yeah, I'm in good shape; got Ridley Scott with The Cartel.
There's a video that's been floating around on YouTube where [Baz Luhrmann says], "We were looking for a guy that sounded like a young Stevie Wonder but much more we got a guy that sounded like a younger version of Aretha Franklin. His name's Quindon Tarver." I was just like, "Wow, to be compared to her."
[Jack Sparrow]'s a blast to play. I'll be in a deep, dark depression saying goodbye to him. I'll keep the costume and just prance around the house, entertain the kids....I mean, at a certain point, the madness must stop, but for the moment, I can't say that he's done.
Ridley Scott - not that he shared it a lot, but you can just see that everything he did, Ridley always seemed to be just so clear. I love that about him.
I just remember him [Baz Luhrmann] making me laugh, and his accent.
I also love Australian movies. I love Muriel's Wedding - I've seen in six times. Baz Luhrmann's best movie is strictly ballroom... without question.
I wanted to be in a Baz Luhrmann film. It's just extraordinary. He's so amazing at what he does. He makes the most incredible films.
I love Baz Luhrmann.
I'm a guy whose first motion picture experience was seeing Ridley Scott glide past on a camera on a hundred and fifty million dollar film, and prep two movies, and there is no way to overstate that when you've worked with Ridley, it's like having been a quarterdeck lieutenant to Lord Nelson.
Once I start to do a film, it has inferences. If a guy walks down a street and kicks a dog, you're saying something about that guy. A guy walks down the street and somebody's about to be run over and he shoves him out of his way and gets hit by the car himself, you're saying that guy's a hero. You can't avoid making certain statements.
I did some songs for Baz Luhrmann's The Great Gatsby. I had done a jazz album of Roxy songs, and they used bits of it in the film. It would be nice to score a movie one day.
[Baz Luhrmann] is funny, to be quite honest with you.
I admire Ridley Scott, and I'm thrilled to be making a movie for him.
In Moulin Rouge, Baz Luhrmann takes the most thrilling moments in a movie musical-the seconds before the actors are about to burst into song and dance, when every breath they take is heightened-and makes an entire picture of such pinnacles.
Stomp stomp. Whirr. Pleased to be of service. Shut up. Thank you. Stomp stomp stomp stomp stomp. Whirr. Thank you for making a simple door very happy. Hope your diodes rot. Thank you. Have a nice day. Stomp stomp stomp stomp. Whirr. It is my pleasure to open for you... Zark off. ...and my satisfaction to close again with the knowledge of a job well done. I said zark off. Thank you for listening to this message.
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